Linda Ebert discusses her solo exhibition at the gezwanzig showroom; she explains the processes behind her works and asks whether the grid can shape social structures beyond the realm of art.
Kolekcionart presents the solo exhibition “THE SAME PLACE” by Croatian artist Alba Miočev at its Gallery in Zagreb. Miočev’s work deals with the concept of time and memory.
Auf LED-Screens laufen zwei Animationsfilme. Auf den Bildschirmen sind abstrakte, kaleidoskopartige Assemblagen aus Farben, Bewegungen sowie Licht- und Schattenimpulsen zu sehen.
At the Reutlingen Art Museum, the exhibition “Love Will Tear Us Apart” explores how diverse and political love can be, taking Edvard Munch’s woodcut The Kiss as its starting point.
Since the 14th century, the landscape has been a cultural construct. But what happens when the landscape itself becomes artificial? Does culture then lose its connection to its human creator?
“ANATOMY OF PRESENCE”, curated by Dr. Svenja Frank and Jérôme Sans at SCHAUWERK, features monumental installations by Vivian Caccuri, Lucia Koch, and Henrique Oliveira.
The artist Marwa Arsanios talks about her process of filming and production, and how her view on ideology changed throughout the making of the film series “Who Is Afraid Of Ideology?”.
Ausstellung: Sophia Mainka – where things stay too long. Abgestreifte Schuhe warten vor der Haustür, eine ornamentale Tränke lockt Vögel, ein Trampolin erinnert an ausgelassenes Kinderlachen.
Anna Jermolaewa’s art reveals hidden mechanisms of everyday life with empathy and subtle humour. Kunstmuseum Liechtenstein is devoting a major solo exhibition to her work.
How do people define Heimat in the 21st century? Can we still speak of home in the singular now that our ideas of home have grown so plural? In conversation with curator Uta Ruhkamp.
The exhibition „persona. fragments of identity,“ curated by Barbara Horvath, with works by Odie Lap Chun Chow, Edith Karlson, Jakob Lena Knebl, Yein Lee, and Paulina Semkowicz.
Questions such as “How do we eat today, and how do we want to eat and live in the future?” are addressed in the exhibition “Politics at the Kitchentable” at the Wilhelm-Hack-Museum.
With Closed Eyes Cinema, filmmaker and sound artist Ganaël Dumreicher explores cinema at the threshold of material visibility, where image, sound and perception converge.
From September 18, 2026, to January 10, 2027, the Lentos Kunstmuseum Linz will present Katrin Plavčak’s solo exhibition, titled “Painting Reality in Surreal Times”, curated by Hemma Schmutz.
Kunsthalle Dortmund (formerly HMKV) opens with the exhibition „INDUSTRIAL: Silk Roads 3000“ on September 11, 2026 Featuring 20 international artist positions.
On Friday, September 11, 2026, the Alfred Ehrhardt Foundation opens the exhibition “Ramona Schacht: From the Bauhaus to Crimea. A Visual Examination of Alfred Ehrhardt’s Works.
Getting to know a new city and part of its art scene through a residency must be one of the most meaningful experiences for anyone working in curating and cultural production.
In the exhibition “Soft Image, Brittle Grounds” at the MAK – Museum of Applied Arts, Felix Lenz explores how digital image and knowledge production compresses the complexity of the world.
The exhibition „Memory of Touch“ presents works from the Kunsthalle Praha Collection alongside works by artists invited specially for the occasion. In conversation with Barbora Ropková.
Belgian artist Céline Vahsen turns naturally dyed threads into abstract works, questioning art history and perception. She uses textiles as a subject, not only as a medium.
Over the last week, I was experiencing one of my periodic depressions and didn’t leave my house for three days. This Budapest studio is the first space I’ve ever owned and lived in entirely by myself.
We spoke with Hsiaosung Kok during the course the exhibition “Heavy Metal. Works from the Marli Hoppe-Ritter Collection” curated by Marli Hoppe-Ritter and Hsiaosung Kok.
Over the past two decades, Katherine Bernhardt has established herself as one of the most striking voices in contemporary painting worldwide. The exhibition runs through January 10, 2027.
From 12 September 2026, works by artists including Olafur Eliasson, Ron Mueck, Rose Eken, Shirin Neshat, Bill Viola and Tony Oursler are once again on view at ARoS.
Schlieder Contemporary is pleased to present Fragile Permanence, a solo exhibition by Dutch artist Hilde Trip, opening as part of the Frankfurt Gallery Season Opening | The Frankfurt Art Experience.
What does “home” mean today? Is it even a geographical place, or rather a feeling, a memory, an illusion? How do people in the twenty-first century continually create new homes?
In “May the Sun Always Shine,” I examine Soviet visual culture as a tool of ideological education, revealing how the state sought to shape individual identity within a unified collective.
With its expansive project „Mindset Los Angeles“, Marta Herford explores the dialogue between art and architecture, pairing Frank Gehry’s early work with the museum building he designed.
Mit „Im Blick des Begehrens“ präsentiert das Sprengel Museum Hannover die erste größere museale Einzelausstellung des US-amerikanischen Fotografen Paul Mpagi Sepuya in Deutschland.