Magazine
What does “home” mean today? Is it even a geographical place, or rather a feeling, a memory, an illusion? How do people in the twenty-first century continually create new homes?
Das Wechselspiel von Kunst, Natur und Architektur prägt Hombroich. Ab den 1980er-Jahren verwirklichten Karl-Heinrich Müller und befreundete Künstler ihre Idee eines Kunstmuseums.
Christopher Gambino (b. 1996, New York) is an artist based in New York and New Haven. Recent solo and two-person exhibitions include “The Thorn Stigmata and the Faded Branch of the Crown“.
In “May the Sun Always Shine,” I examine Soviet visual culture as a tool of ideological education, revealing how the state sought to shape individual identity within a unified collective.
Bailey Keogh’s practice works across hybrid media, including video and acid etchings on stainless steel. Her work is rooted in misinformation, disinformation, and media literacy.
The first major retrospective of Italian photography since the 1980s. Around 300 works by 42 photographers reveal how post-war Italy developed its own visual language.
Die Ausstellung widmet sich den Bezügen zwischen Arnulf Rainer und der Art Brut – jener „rohen Kunst“, die jenseits akademischer Konventionen entsteht und durch ihre Kraft fasziniert.
The group exhibition ‚On Nervous Ground: Between Delusion and Reality‘ at Kunstmuseum Wolfsburg serve as space for self-reflection and the projection of the audience’s emotional states.
Mit 53 Projekten und über 180 Veranstaltungen ging das WEIN/4-Festival erfolgreich zu Ende. Mehr als 450 Kunstschaffende begeisterten Publikum und Gäste nachhaltig.
Ruth Anderwald, Leonhard Grond, and Sergio Edelsztein made an exhibition out of it. „Iliggocene – The Age of Dizziness“ is on view at KINDL, Berlin, until July 26.
Exhibitions
What does “home” mean today? Is it even a geographical place, or rather a feeling, a memory, an illusion? How do people in the twenty-first century continually create new homes?
