Magazin
Die beiden Kuratoren Walter Seidl und Jan Gustav Fiedler übernehmen die künstlerische Leitung der SPARK Art Fair Vienna 2024. Gemeinsam leiten sie das neu installierte Curatorial & Advisory Board.
Francesco Ciccolella, born in Salzburg in 1990, is an illustrator, graphic artist, and visual storyteller. His illustrations have graced the covers of international newspapers, magazines, and books.
According to the writer Judith Schalansky, it is archiving that gives us the freedom to forget the past. The loss of objects transforms them from something factual into something fictional.
Two artist heroes from BMCA are visiting Vienna! Both multimedia artists who are based in Hangzhou became part of the collection with a body of several works in the year 2014 and 2015.
Vica Pacheco’s practice is grounded in „experimental music“ and composition, integrating ceramic art. The ceramic pieces and installations she produces are a direct result of her musical experimentation.
Lange Acrylnägel, ein *killer* Partnerlook, nachwachsende Achselhaare, Stick-and-Poke-Tattoos, stinkende Aschenbecher und jede Menge Smartphones: welcome to the pleasure dome!
A masterfully orchestrated exhibition, furthermore profoundly touching. UNFAIR GAME talks about game as an enabler of existence, but also game as as a realm filled with tactics.
Maria Szakats animates allegories of human nature with her new show at Galerie Chloé Salgado. The works synthesise two seemingly antithetical elements, the traditional handicraft of embroidery.
2020 wurde PARALLEL EDITIONS erfolgreich zusätzlich zur Hauptmesse PARALLEL VIENNA ins Leben gerufen. Dieses Jahr findet eine Kooperation mit der SPARK Artfair 2024 statt.
The emptiness and desolation portrayed in Valdrin Thaqi’s paintings have always held a profound fascination for me. These artworks serve as meticulous portraits and capturing individuals.
Ido Gordon is a Bezalel graduate, working in Tel Aviv. His latest solo exhibition was held at Gallery II Tel Aviv. Amidst the current Israeli-Gaza war, I sat down with Gordon for a candid conversation.
Jelinek lässt in „Der Tod und das Mädchen V – Die Wand“ zwei Ikonen des weiblichen Schreibens – Ingeborg B. und Sylvia Plath – in einem hypnotischen Sprachfluss an ihrer Selbstentfaltung scheitern.
Lori Lako’s exhibition emerges as an intervention into the discourse on labor, the human body, and temporal dynamics in the era of late capitalism. The artist is concentrated reading.