The Viennese artist Monika Herschberger paints abstract works; she draws from music, poetry, and personal impressions. As a former jazz singer, she deliberately incorporates music into her painting.
Die Akademie der bildenden Künste Wien bemüht sich seit 2023 mit der öffentlich zugänglichen Reihe honoris causa um die Aufarbeitung ihrer historischen Verantwortung und Verstrickungen.
Linda Ebert discusses her solo exhibition at the gezwanzig showroom; she explains the processes behind her works and asks whether the grid can shape social structures beyond the realm of art.
Kolekcionart presents the solo exhibition “THE SAME PLACE” by Croatian artist Alba Miočev at its Gallery in Zagreb. Miočev’s work deals with the concept of time and memory.
At the Reutlingen Art Museum, the exhibition “Love Will Tear Us Apart” explores how diverse and political love can be, taking Edvard Munch’s woodcut The Kiss as its starting point.
Since the 14th century, the landscape has been a cultural construct. But what happens when the landscape itself becomes artificial? Does culture then lose its connection to its human creator?
“ANATOMY OF PRESENCE”, curated by Dr. Svenja Frank and Jérôme Sans at SCHAUWERK, features monumental installations by Vivian Caccuri, Lucia Koch, and Henrique Oliveira.
Caitlin received her MFA from Rutgers University in 2015 and her BFA from Cooper Union in 2008. Solo exhibitions include Hannah Hoffman, Los Angeles; Mother Gallery, New York.
The artist Marwa Arsanios talks about her process of filming and production, and how her view on ideology changed throughout the making of the film series “Who Is Afraid Of Ideology?”.
Questions such as “How do we eat today, and how do we want to eat and live in the future?” are addressed in the exhibition “Politics at the Kitchentable” at the Wilhelm-Hack-Museum.
Philipp Pess lebt und arbeitet in Wien. In seinen malerischen Mixed-Media-Collagen entstehen szenische Landschaften und Ersatzwelten, die sich zwischen Erinnerung, Vorstellung und Realität bewegen.
Melanie Thönis Arbeiten spielen mit Farbe, Form sowie nordalpinen Motiven und Mythologien. Tradition, Heimat, Alltag und weibliche Held:innen sind zentrale Themen ihrer Praxis.
Yeji Seoks Arbeiten verbinden visuelles Erzählen und 3D-Modellierung, um Gefühlszustände, Lebensphasen und Identitäten zu erforschen. Fragmentierte Existenzen werden zu Narrativen.
From September 18, 2026, to January 10, 2027, the Lentos Kunstmuseum Linz will present Katrin Plavčak’s solo exhibition, titled “Painting Reality in Surreal Times”, curated by Hemma Schmutz.
Sophia Mainka builds installations where the boundaries between human, animal, and object disappear. Ahead of her upcoming solo show “where things stay too long” following her recent move.
Kunsthalle Dortmund (formerly HMKV) opens with the exhibition „INDUSTRIAL: Silk Roads 3000“ on September 11, 2026 Featuring 20 international artist positions.
On Friday, September 11, 2026, the Alfred Ehrhardt Foundation opens the exhibition “Ramona Schacht: From the Bauhaus to Crimea. A Visual Examination of Alfred Ehrhardt’s Works.
Special project of Berlin Art Week 2026: Soft Power Festival is a transdisciplinary platform initiated by Anahita Sadighi. It brings together art, music, and social dialogue.
In the exhibition “Soft Image, Brittle Grounds” at the MAK – Museum of Applied Arts, Felix Lenz explores how digital image and knowledge production compresses the complexity of the world.
The exhibition „Memory of Touch“ presents works from the Kunsthalle Praha Collection alongside works by artists invited specially for the occasion. In conversation with Barbora Ropková.
Belgian artist Céline Vahsen turns naturally dyed threads into abstract works, questioning art history and perception. She uses textiles as a subject, not only as a medium.
Angyvir Padilla’s work considers home not as a fixed place, but as an ongoing search for familiarity and belonging—one that extends beyond a house, a country, a family, a friendship, or a landscape.
Dora Abodi, founder of ABODI Transylvania, explores turning Transylvanian folklore and myth into wearable art, where mysticism, fashion, and history meet on equal terms.
Lu Mei founded Migrant Bird Space, bridging contemporary Asian art with the scene through cross-cultural perspectives and the evolving relationship between inheritance and the present.
Marta Leshak combines painting and needlework with Ukrainian visual traditions. Her work explores irony, spirituality, humanity’s bond with nature, and the experience of war.
The first time I met Harry Dean Lewis was on an April evening in 2025. Earlier that year, it felt like the London art world was crashing. Galleries I had spent years working with were closing their doors.
In Focus Year 2026, five major art projects are unfolding across the city, alongside performative interventions, excursions, a collaboration, and a new chapter for the Billboard in Neuperlach.
We spoke with Hsiaosung Kok during the course the exhibition “Heavy Metal. Works from the Marli Hoppe-Ritter Collection” curated by Marli Hoppe-Ritter and Hsiaosung Kok.
Working at the intersection of sculpture, assemblage, and quilt-making, Skelton’s practice is a meditation on the complexity of material culture, considering ideas of value and significance.