How do we reconstruct lost tales, and what emerges from fragmented memories? Julia Woronowicz explores forgotten mythologies, ethnofictional narratives, and alternative histories.
There’s something hypnotic about the deep velvet black that greets you at Roméo Mivekannin’s first solo exhibition in Italy, hosted by Collezione Maramotti. A black that seems to speak.
Opera Gallery New York is pleased to present Sailing Through the Light, an exhibition featuring 26 works by Paris-based artist Feng Xiao-Min, created between 2009 and 2025.
Through personal anecdotes, historical reflections, and curatorial insights, curators Kilian Hanappi, Paul Buschnegg, and Selin Göksu discuss the exhibition „Zwidemu: Between Party and Process.“
Viennese Realism emerged in the early 1950s as a response to the political and social climate in post-war Austria. In this interview, curator Berthold Ecker discusses the movement’s origins.
Artist Miriam Bajtala explores classism and chronological developments, linking personal history with collective memory since 2020. She poetically addresses inequality, power, and self-empowerment.
Florian Appelt inszeniert im Bildraum 07 ein Vexierspiel zwischen Natur, Artefakt und Zukunft: Ein Granitobelisk trifft auf anatomische Gebilde, frisch geboren oder präzise arrangiert.
Disco – der Titel der Ausstellung ruft Neonfarben und hartes Licht hervor. Tatsächlich fühlt sich die Ausstellung von Vivian Suter im MAAT in Lissabon jedoch an, wie ein Spaziergang im Wald.
Im Bildraum 01 sucht Alexandra Baumgartner nach dem Verborgenen, das zwischen Verhüllung und Offenbarung schwankt, wobei der Mensch von skulpturalen Abbildern abgelöst wird.
The exhibition „Tipping Point Phantoms“ by the two artists Vik Bayer and Kaja Clara Joo, constructs a narrative pairing about capital and our use of resources on the brink of ecological tipping points.
The exhibition KEEP IT FAKE! offers a preliminary answer, and the following exhibitions of the cycle will surely explore other curiosities of this interdisciplinary dialogue.
Entering Fernweh – /ˈfɛɾnˌveː/ – Atto II by Friedrich Andreoni and Roberto Casti at Casa degli Artisti, Milan, feels like a soft perceptual shock, revealing structured spatial lines.
Betty Bee makes her highly anticipated return to Naples with a solo exhibition at Galleria Umberto Di Marino. Curated by João Laia, the exhibition focuses on a new body of work.
Whether on a train, in a car, or on a rainy day at home—looking out a window feels poetic. The frame freezes a moment, and I sometimes surrender to this dreamy escape.
Submerged narratives of the Danube and Oslo Fjord features the work of Kristin Bergaust, Alex Mirutziu, Marina Oprea, Cosmin Haiaș, and Alexis Parra (Pucho). The show is open till 28.02.2025.
Lee Nevo transforms everyday spaces into raw, immersive worlds. Her latest show, „The Sexual and Social Psychology of the Ejection Seat“, explores a fictional system mirroring today’s reality.
Ron Amir and Hillel Roman’s solo exhibitions at Artport Tel Aviv, curated by Vardit Gross, explore the costs of past individual and societal choices in today’s world.
Acht Künstler:innen der Bildhauer-Meisterklasse der HTL Hallein zeigen im kunstraum pro arte Meisterstücke und Werke – ein einzigartiger Einblick in Bildhauerei und Materialvielfalt.
At James Lewis’s Living Stone, yellow light fills the space, evoking unease. Wooden cabinets form a narrow passage with an unreachable flickering video, embodying dissonance and rupture.
„As the story unfolds“ ist eine englische Redensart, die beschreibt, wie sich historische Ereignisse nach einer inneren Logik entwickeln. Sie deutet darauf hin, dass die Geschichte nach und nach sichtbar wird.
In der Galerie Fritz in Dornbirn präsentiert der Künstler Gerd Menia seine Skulptur „Iceberg“. Bei der Skulptur bildet das Unbewusste den inneren Schwerpunkt.
What is it like to be a young artist and curator in Italy? I found out first hand, co-curating the exhibition Fuori da Dentro by Giulia Nelli and Filippo Moroni at ARTRA Galleria, with Mengyin Wang.
Kristína Mésároš’s extensive exhibition entitled Origin (Počiatok) features paintings of environments, landscapes, and situations connected to her own experience of everyday events.
„The ice on the mattresses is free,“ teases the curator, gesturing toward Calzolari’s artwork behind me, „but it’s a cliché that needs unpacking.“ No frills: the exhibition Arte Povera is dedicated.
There are fish that swim in cold or temperate waters, freshwater fish, and others that glide along the dark ocean floor. The same is true of people. Sometimes we say we feel like a fish out of water.
Since 2009, the Esterhazy Art Award, established by the Esterhazy Private Foundation through Dr. Stefan Ottrubay, has been given yearly to emerging Hungarian artists to celebrate contemporary art.
Giddy Flames seeks to be a spatial fantasy. In the absence of daylight, it unfolds an imagined collection of stories that seep out of infrastructure, storage spaces, and hijacked light systems.
Niko Abramidis &NE shares insights into his studio rituals, the role of mythology and metamodernity in his work, and the process behind his upcoming solo exhibition at max goelitz in Berlin.
Grounded in a narrative drawn from a fictional story that explores identity and the system of signs and symbols through art and fashion theory, the works of three artists and one archival position engage.