Umbral is a world of unspoken relations, a labyrinth of hybrid objects, a transit zone where one must navigate feelings of déjà vu and fears of looming future events. It can be translated as a threshold or doorstep.
In the endlessly uncertain and volatile state of the past year and a half, personal memory has played the biggest role in survival, alongside the Internet and online communication.
Hungarian artist Flóra Kőszeghy deals with the relationship between the virtual world and reality. She is an architect and artist at the same time. Her works are made unusual by complexity and contradictions.
The topic of the exhibition evolves around the period of the late 80s, the 90s and the beginning of the 2000s, and its perception and memory of this era through artistic practices of the Y generation.