Galleries were joined by 16 institutions and 6 artist-run spaces, bringing the festival’s total participant count to 39 venues. This is the biggest the festival has ever been.
Camilla Gurgone transforms situations into ambiguous spaces where the boundaries between presence and simulation, and individual and collective experience remain constantly unstable.
In our conversation in his studio in Vienna, Franz Türtscher reflects on his early fascination with images, concrete art principles, and the ideas of openness, transformation, and intuition.
Reflecting on the last six years of the gallery max goelitz, a new location in Munich, the close connection to artists represented, and the collaboration with the gallery Hauser & Wirth.
Karolina Szwed is a painter based in Warsaw, Poland. Her work has recently been shown, for example, at the Inside-Out Art Museum in Beijing and at the Museum of Contemporary Art in Krakow.
Ty Kawabe is a designer born in Australia and raised in Japan, based in Nagoya. He studies Industrial Innovation and has created and published a new poster every day since late 2024.
Eri Maeda’s work is uncanny, rebellious, and protective. She transforms everyday objects into rebellious ceramic monsters that invite us to question the beliefs and inner ghosts we carry through life.
Power; empathy; drawing’s resistance to detachment; focus on mise-en-scène; and feeling rather than logic. In conversation with New York-based artist Marianna Simnett on identity, fluidity…
Daniel Mullen works primarily between painting and sculpture. Across these forms, his work explores how perception is shaped through relationships between colour, light, structure, and space.
While trauma is often sublimated through silence and breath in Gabrielle Goliath’s best-known video and sound works, the body assumes an unprecedented pictorial form in the new series.
Welcoming us into his studio in Vienna, artist Roman Pfeffer reflects on the “I” perspective, measurement, abstraction, and earlier works, on the occasion of his solo exhibition at the gezwanzig gallery.
Maria Naidyonova is a Ukrainian-born, Berlin-based artist working in drawing, painting, and animation. Her artistic style merges classical drawing techniques with contemporary aesthetics.
Das Museum Liaunig bietet weit mehr als beeindruckende Architektur und Kunst – es ist ein lebendiger Ort der Begegnung und des kulturellen Dialogs in Südkärnten.
Ihre Praxis erstreckt sich über unterschiedliche Medien wie Textil, Malerei und Installation und ist stets geprägt von intensiven Farbkompositionen sowie einer intuitiven Formensprache.
In the context of Klima Biennale Wien 2026, the exhibition program “Immediate Matters. Speak We Must We Must Speak” was curated in collaboration with and hosted by ten independent spaces.
The city’s art scene will be activated by a dozen of guest galleries, guest curators, over 250 artists and many other international guests, who will contribute to VO’s rich program.
Die Energie AG vergibt mit der Kunstuni Linz 4.500€ für „Un/learning“: Umlernen als Zukunft. Welche Routinen wir verlernen müssen – und wie Kunst das sichtbar macht kann.
ART CIRCLE’s 4th edition in St. Wolfgang transforms historic lakeside hotels into residencies where international artists live, create, and exhibit from April 27 to May 3, 2026.
With Anne Faucheret, Curator of this year’s edition of “Immediate Matters,” about the exhibition program titled “Speak We Must We Must Speak,” which will take place in ten independent art
Magdalena Herzog’s paintings explore themes of intimacy and the violence that lies beneath the surface. Drawing often serves as the starting point of her process, capturing a thought or a memory.
The exhibition „still (a little life),“ curated by Barbara Horvath, with works by Judith Eisler, Neven Allgeier, and Pakui Hardware, is on view until the 11th of April. 2026 in The Hall.
The newest part of the project spans twenty years already. „Developments“ will be exhibited in La Villette in Paris. With Artist Erik Tannhäuser on the project’s origins, all the locations.
On Beginnings, Objecthood, and Milan in the 1980s. In-depth about material agency, mechanical choreography, and aesthetics & functions of display in Anna Franceschini’s expanding body of work.
Zagreb-based artist Ivana Fischer talks about her studying times, influences, and how her work navigates themes of identity and vulnerability through intuition. In preparations for her next solo show.
To blur the boundaries between exterior and interior, to unsettle the interface between nature and construction, and to investigate on the relation between our bodies and the space we’re living in.
In conversation with Marilisa Cosello, an artist working across performance and photography, we explore her practice and ask whether the real medium might ultimately be the body itself.
Bunny Hennessey is a London-based painter whose work arises from the physical and sensory conditions of painting itself. Driven by movement, her practice explores the inner parameters of the body.
At just 36, Li Yi-Fan will represent Taiwan at the Venice Biennale 2026, curated by Raphael Fonseca, the current curator of modern and contemporary Latin American art.
The Helsinki-based visual artists work with sculpture, installation, and printed matter. On wood, fruit pits, rooms that are swallowed like feelings, and speculation as an artistic practice.