Ludovica Anversa (b. 1996) is an Italian artist based in Milan. The figures in her paintings inhabit non-narrative spaces where the body emerges as a permeable and receptive entity.
Something artists have always been really good at is taking a tool that already exists in the world and making it do something it’s not supposed to. How could this apply to technology?
While strolling through his hometown of Seeboden on Millstätter See, Daniel Lichterwaldt chanced upon a display cabinet that sparked the idea to transform it into a year-round exhibition space.
Borrowing from the language of traditional media, Gioele Amaro, originally trained in architecture, creates digital paintings that mimic the appearance of distorted reflective surfaces.
Die Geschichte macht die augen zu, aber kann nicht schlafen umfasst eine viertägige Gruppenausstellung mit interdisziplinärem Rahmenprogramm, welches sich kollektiven Gedächtnissen widmet.
Nikolaus Dominik Cyril Merlin Fröhlich, besser bekannt als N.D.C.M., ruft lieber an, anstatt eine SMS zu schreiben. Er wünschte er wäre ein Tiger, sein Spiritanimal ist jedoch ein Pandabär.
Curated by Les Nouveaux Riches, the exhibition brings together for the first time the work of the artist collective Alpine Gothic, Mara Novak, Rebecca Merlic, and Francisco Valença Vaz.
Les Nouveaux Riches presents: At Hauptstraße 84 in Seeboden am Millstätter See, the association curates throughout the year an ongoing display of artworks from national and international artists.
“Monte di Pietà” by artist Christoph Büchel is a deep dive into the notion of debt as the root of human society. The layered history of the building is is Büchel’s framework for constructing.
Silvia Rosi’s pictures and moving videos, a mix of neutral Emilia-native paysages, studio reproductions, inspired by family pictures personified by the artist herself, and archive work.
Several hands are kneading it; it seems like a Sisyphean work. Three women are using their bodies against it, folding and rolling in a constant back-and-forth movement.
Caroline Wong is a Malaysian-Chinese artist who grew up in London. A late bloomer, she began her training as an artist at 30, pursuing a diploma in portraiture at the Art Academy, London.
Following his exhibition in LA, he continues his exploration of the prosthetics of power in a new series of works and site-specific installations created for the Lisson Gallery New York space.
Fanzineist Vienna is an annual international independent publishing event that focuses on presenting self-published publications and independent works in the fields of art, design and more.
Nach der Einladung zu einer Einzelausstellung durch Herbert Liaunig wurde das Skulpturendepot für einen intensiven Moment zum Brennpunkt von Meina Schellanders Schaffen der letzten vierzig Jahre.
Tracce: Nel Corpo e sulla Terra“ brings together the works of four of Panama’s leading contemporary artists: Brooke Alfaro, Isabel De Obaldía, Giana De Dier, and Cisco Merel.
Eigene Expertise meets fundierte Theorie, spartenübergreifende Vernetzung direkt aus der praktischen Arbeit – all das bietet das Masterstudium am Institut für Kulturmanagement und Gender Studies.
Janinka Kell (b. 1996) is an interdisciplinary Czech artist based in Vienna. Their work focuses on art as an experience in the form of installations, sculptures, expanded paintings, and other media.
For a period of about two hundred years in the Late Middle Ages, a trend in a funerary art called transi, or cadaver monument, emerged in cathedrals and crypts throughout Europe.
Maureen Gubia, an artist delving into multimedia forms and conjuring worlds where sprite-like beings interact with her equatorial delirium, invents her language while soundtracking large-scale canvases.
LNR is pleased to announce the open call for the Kunst-Schaukästen in Seeboden am Millstätter See. The ‚Kunst-Schaukasten‘ (The Art Vitrine) is a curated presentation format by Les Nouveaux Riches.
Deborah Fischer, born in Brazil, graduated with honors from the Bezalel Academy of Arts and Design. Fischer’s interdisciplinary art practice integrates research-based installations within peripheral sites.
In the Argentinian Pavilion at the 60th La Biennale di Venezia, artist Luciana Lamothe presents her site-specific installation. In an interview we gain insight into the process behind it.
Mit einem vielfältigen Kulturprogramm ist es gelungen, das Museum Liaunig über die Jahre als lebendigen Ort der Begegnung und des kulturellen Dialoges in Südkärnten zu positionieren.
Technology and art have not been separate since antiquity but have often been used as synonyms in certain contexts. They simultaneously mark the productive character of our being in the world.
Milica Mijajlović’s artistic practice is influenced by her experiences growing up in the Balkans, especially during the post-war years, family migrations between the former Yugoslav states.
The exhibition embarks on a journey through the depths of struggles and societal expectations, echoing the timeless allure of childhood fables while delving into the complexities of adulthood.
Arturo Prins is a Spanish-Argentinian nomadic painter and filmmaker, who has established studios in various corners of the world, including the Himalayas, Thailand, New York, the Philippines.
In November last year, 14 paintings were transported to Krakow, Poland. The exhibition effectively evoked an unsettling atmosphere, reflecting the uncertainties of the contemporary world.