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It’s not only about tales of heroines and villains, but reflections on societies — neighbors, cultures, and powers lost to time. Many of the once-told stories are fragmented, with blank pages and passages erased by history. This showcase doesn’t aim to present the whole, but instead highlights the fragments and the small pieces of history that may have been lost.

Like the Mazonian area, an alternative feminist culture that is said to have flourished from the 6th to the 17th century. This area is not a geographically or politically defined term; rather, it is a fictional and cultural concept, where myths speak of Amazons who once served as warriors and protectors. These stories can be understood as symbolic narratives about female strength and the desire for independence. The name “Mazonia” can be associated with the swamp — a place of origin: untamed, organic, a humid space from which life and transformation emerge. The traces of these stories persist, still waiting to be uncovered. Not just as narratives, but as constituting forces that shape collective consciousness, a network of perceptions. It is a place of contradictions, where utopias can turn into nightmares.

Julia Woronowicz © Olga Cebula & Alina Grabovsky
Julia Woronowicz © Olga Cebula & Alina Grabovsky

This tension between symbolic fragility and enduring strength is echoed in cultural expressions, such as a common Polish saying: “You cannot hit a girl, not even with a flower,” implying that women are even more fragile than flowers and therefore in need of protection. This comparison, made explicitly with a flower, should not be overlooked. Women could be compared to all sorts of plants, yet they are compared to flowers. But this fragility is deceptive. Women have historically always been exposed to violence and danger. For them, it is essential to sense changes and detect threats — always fighting against a world that demands their silence. Their power often stems from the ability to endure and respond. A fleeting moment of weakness can unfold into a powerful act of resistance. The stillness of fragility is the beginning of strength.

In mythology, there are many endings, many storylines. In the end, it is not the final chapter that defines them — it is the journey, the fight. The stories that we still have to tell. This exploration doesn’t offer a conclusion. Instead, it presents a collection of fragments — memories that refuse to fade. Tales that resist being forgotten.

Exhibition: Julia Woronowicz – blank petals. Curated by Julia Harrauer
Exhibition duration: 25.04.2025 – 29.04.2025
Location: flat1_artspace, Radetzkystaße 4, 1030 Vienna

Julia Woronowicz – ww.instagram.com/iulje/

Claire L. Evans and Sean Bidder are this year’s keynote speakers at Creative Days Vienna 2025 — a festival conceived to spark daring dialogues at the crossroads of technology, culture, and society.

Lisa Kerlin ist Theaterwissenschaftlerin und Dramaturgin. Seit zwei Jahren leitet sie das Volkstheater in den Bezirken. Zuvor arbeitete sie eng mit Kay Voges in Dortmund und Wien zusammen.

The artist Laura Malacart and I click immediately. We connect over our shared interest in language as well as both being directors of small project spaces. Laura’s Space has the size of, well, a balcony.

Schloss Prinzendorf, about an hour from Vienna, will host the final act of Hermann Nitsch’s 6-Day Play, June 7–9, 2025—realizing his wish to keep it the O.M. Theater’s core venue.

Hyperreality is a festival for experimental and electronic music. In 2025, it returns to Vienna’s Otto Wagner Areal, transforming a former kitchen into a venue on May 23 and 24.

On Memory and Political Activism: Iraq-born, Vienna-based artist Rawan Almukhtar on winning the 2024 Kunsthalle Wien Prize for his diploma work at the Academy of Fine Arts Vienna.

Anna Breit ist eine österreichische Fotografin, die künstlerisch wie angewandt arbeitet und intime Porträts von Menschen aus ihrem Umfeld schafft – zwischen Nähe und Identität.

Come, you masters of war / You that build the big guns“. James Benning’s latest film confirms the director’s impulse to map out an event-based hermeneutic of contemporary America.

Artist Miriam Bajtala explores classism and chronological developments, linking personal history with collective memory since 2020. She poetically addresses inequality, power, and self-empowerment.

Ljubljana Art Weekend returns for its fourth edition from May 23 to 25, 2025. For the second year in a row the team behind ETC. Magazine will take over the artistic direction of the programme.

Venice is a vibrant city to fall in love with culture, art and getting lost. Linda Rubino walks and gets lost between the labyrinths of calli and campi, finding new surprises and gems along the way.

Ab 25. April geht das Volkstheater mit dem Bronski und Grünberg Theater auf die finale Tour der Spielzeit 24/25: Kaja Dymnicki und Alexander Pschill zeigen neue Zugänge zu „Romeo und Julia“.

In gezwanzig gallery in Vienna, we visited Netherlands-based artist Art van Triest, doing final touches in preparation for his solo show “Linear Non Linear” that opened on the 19th of March 2025.

The Porn Film Festival Vienna 2025 (April 10–14) celebrates porn’s diversity, challenging norms with feminist, queer, and LGBTQIA+ views while fostering open societal dialogue.

The international creative industry will meet for the sixth time in Vienna to discuss the latest developments at the intersection of technology, culture and the creative industries.