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Under the title “Life is Good in the New Real,” this year’s festival explores the question: What does a world sound like where artificial intelligence and digital systems are ever-present—and how can we forge new connections to nature, the environment, and each other?

Taking place across multiple venues in Vienna—including Seestadt Aspern, the VHS Kulturgarage, and the WUK—the festival brings together artists from around the globe. The focus lies on live experiences that intertwine sound, the human body, and technology.

Audiences can expect a diverse program ranging from immersive performances and sonic interventions to speculative sound art. Many of the works engage directly with AI, sensors, or virtual reality, while also incorporating organic elements like water, stone, wood, and the voice, raising questions of ecological sustainability and social relevance.

Nyokabi Kariũki, Photo: Muthukia Wachira
Nyokabi Kariũki, Photo: Muthukia Wachira

Among the first confirmed artists is Nyokabi Kariũki (KE), whose electroacoustic compositions interweave field recordings, East African sound traditions, and voice into poetic soundscapes. Raphael Rogiński (PL) bridges microtonality, improvisation, and Jewish-Polish musical heritage. The Spanish A/V duo Cortical (Sevi Iko Dømochevsky & Daniel Benza) present a high-energy show somewhere between rave, noise, and sci-fi, while Merche Blasco (ES/US) explores new forms of listening through electromagnetic sensors.

Further innovative contributions come from Jakob Schauer (AT), Joana Coleman & Conny Zenk (AT), Boris Vitázek (SK), and (UG/FR), who brings a live and DJ set that fuses funk, footwork, dancehall, and experimental vocal performance.

SONIC TERRITORIES – www.sonic-territories.at

„Inverse Painting“, Gerhard Himmer’s solo at gezwanzig Showroom Innsbruck, runs until July 30. We talked about his process, early education, and friendship’s role in the art world.

Vom 15. Juli bis 9. August zeigt die Galerie im Gwölb (Marktplatz 15, 4170 Haslach) die Ausstellung „Stadtgewebe“ von Delphine Léger im Rahmen des Sommersymposiums Textile Kultur Haslach.

SCHAU transforms vacant shop windows in Haag into venues for contemporary art. Passersby discover the works by chance or engage more deeply with them during guided tours.

Vom 25.–28. Juni zeigt die Angewandte Abschlussarbeiten & Projekte. Der Oskar-Kokoschka-Platz wird zur Bühne der „Monuments of the Future“. Wir sprachen mit Lena Kohlmayr darüber.

On the Pentecost weekend (Pfingstwochenende), the posthumous second performance of Days 4 to 6 of the “6-Day-Play” by Hermann Nitsch took place at Schloss Prinzendorf.

Terraforma Exo 2025 turns Milan into a sonic lab—an open-air journey exploring how sound reshapes our bond with the city, unfolding across gardens, bodies, spaces, and ecologies.

Her practice spans diverse media, each piece bearing her unique voice. In an exclusive talk with French artist Julie Béna, she explores eclecticism through fiction, process, and double meaning.

In a time of climate crisis and social strain, artist Marcos Lutyens leads a quiet revolution within the mind, exploring consciousness through hypnosis, installations, and performances for 20+ years.

Vom 25.–28. Juni zeigt die Angewandte Projekte & Abschlussarbeiten, begleitet von einem vielseitigen Programm. Der Oskar-Kokoschka-Platz wird zum Ort der Zukunft.