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Nan Goldin, Brian and Nan in Kimono (Brian und Nan im Kimono), 1983, Photographie, aus der Serie “The Ballad of Sexual Dependency” © Nan Goldin. Courtesy the artist
Nan Goldin, Brian and Nan in Kimono (Brian und Nan im Kimono), 1983, Photographie, aus der Serie “The Ballad of Sexual Dependency” © Nan Goldin. Courtesy the artist

Now, for the first time, her work is receiving a comprehensive retrospective at Berlin’s Neue Nationalgalerie. Designed by architect Hala Wardé, the exhibition transforms the museum’s upper hall into a series of pavilions, each tailored to a specific phase or theme in Goldin’s oeuvre. Together, these structures form a village of stories, creating a space where viewers can immerse themselves in her world.

Nan Goldin, Greer modeling jewelry, NYC (Greer Schmuck modelnd, NYC), 1985, Photographie, aus der Serie “The Other Side” © Nan Goldin. Courtesy the artist
Nan Goldin, Greer modeling jewelry, NYC (Greer Schmuck modelnd, NYC), 1985, Photographie, aus der Serie “The Other Side” © Nan Goldin. Courtesy the artist

Born in Washington, D.C. in 1953, she is part of a generation whose experiences are characterized by the AIDS crisis and a world outside of normative society. Her work doesn’t shy away from the darker corners of existence. It lays bare the realities of drug addiction, self-destruction, and the weight of societal norms. She also intertwines her sister’s story with the myth of St. Barbara, the early Christian martyr, at the same time transforming it into a reflection of her own struggles and deepest conflicts.

Goldin’s images feel like fragments of memory, shot from the hip with a casual, almost careless precision. Viewed in slideshows, each image flickers on the screen just long enough to pull you in before the next arrives. There’s an urgency to absorb everything, not to miss a single detail. Goldin’s voice, her choice of music, and her conversations punctuate the slideshows, creating a layered narrative that’s as much about sound and rhythm as it is about visuals. The experience is dizzying, like a good headache. You come away transformed, having tasted, smelled, and lived in her moments.

It’s this raw intensity that has made Goldin one of the most influential artists of our time. In 2022, she received the Käthe Kollwitz Prize and the Golden Lion at the Venice Film Festival for her documentary „All the Beauty and the Bloodshed“. These honors joined a long list of accolades, including the Hasselblad Award, which she first received in 2007. Following successful runs in Stockholm and Amsterdam, the retrospective will continue to Milan and Paris, bringing Goldin’s art to an even wider audience and making it a truly European experience.

Exhibition: Nan Goldin – This Will Not End Well
Exhibition duration: 23.11.2024 till 06.04.2025

Address and contact:
Neue Nationalgalerie
Potsdamer Str. 50, 10785 Berlin
www.smb.museum

Die Artist’s Toolbox bietet als Weiterbildungsplattform praxisnahe Workshops in Form von Videos, Templates und Leitfäden zu vielfältigen Themen und Fragestellungen im Kunst- und Kulturbetrieb an.

STAGE Bregenz 2025, with 48 galleries from 11 countries, showcases the artistic diversity of the Lake Constance region at the Festspielhaus Bregenz from March 20–23, 2025.

Ju Young Kim will present her artist book „Air Conditioned Hours“ in Munich. The new artist book features photographs by Ju Young Kim that capture her perspective as a transcontinental traveler.

“Air, oh l’air!” the boxer and poet Arthur Cravan had exclaimed in the early 1910s, also on a sofa while having an imaginary conversation with his uncle, Oscar Wilde. Helga and I meet at Cantina Isola.

Nach der Premiere 2023 wird LIDO SOUNDS sich auch im Juni 2025 nicht nehmen lassen, das Linzer Donauufer zum dritten Mal in Folge „zum schönsten Lido Österreichs“ zu verwandeln.

After studying fashion in Paris and building a career, Anuk Rocha left it behind to dedicate herself to painting, exploring identity, memory, and emotion through her „patchwork portraits.“

Every year at the end of January, the Academy of Fine Arts Vienna invites visitors to the Open Days of all the institutes‘ collections, classes, and studios at all locations. These Open Days offer the opportunity to get to know the university’s operations and gain insight into the ongoing work processes. Teachers and students from all institutes provide information and look forward to dialogue and discussion with the visitors.

KÄSSY ist alles und jeder, der sie sein möchte – Sängerin, Produzentin, Performerin. Ihre Musik wechselt von eklektischer Hölle zu unbeschwertem Schweben und vereint Kontraste in jedem Moment.