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Exhibition view, Anna-Sophie Berger. Sin at JTT Gallery
Exhibition view, Anna-Sophie Berger. Sin at JTT Gallery

In recent work, she explores these themes through an investigation of historical sumptuary laws. These serve to “regulat[e] the consumption of materials for citizens’ daily fashions usually on religious or moral grounds and naturally corresponding to strict class lines,” as she describes in her essay “Waist of Money.”

Berger often embeds her objects and installations with a complex symbolic language. By taking recourse to stage organization in theater her sculptures can appear as actors as well as props. In several new works this manifests through the appropriation of components from works of art from the early modern period, such as the Unicorn Tapestries or the allegory of Wealth from the medieval epic poem “Romance of the Rose.”

Christian scholastic themes are scrutinized for their bearing on contemporary notions of morals. Other sculptures isolate elements of incidental design from shared municipal spaces including playgrounds, parks, and construction sites. Thus, Berger links the ever-contingent meaning of objects to both their popular and historical understanding.

Anna-Sophie Berger The GAPED Altar, 2022 wood, lacquer, c-prints of affective pictures from the Geneva Affective Picture Database (GAPED) 64.75h x 49w x 11.50d in 164.47h x 124.46w x 29.21d cm Bas-2022-335
Anna-Sophie Berger The GAPED Altar, 2022 wood, lacquer, c-prints of affective pictures from the Geneva Affective Picture Database (GAPED) 64.75h x 49w x 11.50d in 164.47h x 124.46w x 29.21d cm

Exhibition: Anna-Sophie Berger – Sin
Exhibition duration: May 13 – June 18, 2022

Address and contact:
JTT Gallery
390 Broadway, New York 10013 212-574-8152
www.jttnyc.com

Anna-Sophie Berger – www.anna-sophie-berger.com

Han Xiao Toledo, Castilla La Mancha, Spain

Han Xiao was born in China. In 2021, his family moved to Spain. In 2005, he graduated from the Design Department of the Academy of Arts and Design, Tsinghua University, majoring in Landscape.

Exhibition. Splits and Slips. The Disobedient Banana. BREACH Miami, 2022

Ivana de Vivanco is a Chilean-Peruvian artist based in Germany working across media. She studied fine art at the University of Chile in Santiago and at the Academy of Fine Arts in Leipzig.

Exhibition view „collective memory. awareness over generations.“, Photos: Daniel Lichterwaldt

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The Constelation Code, 2021

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Kalina Horon. Foto: Daniel Lichterwaldt

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Installation Shot, Kenji Lim - Shivering Cloud, Galerie Reinthaler

Kenji Lim graduated with a BFA from Ruskin School of Art, Oxford University, in 2002 and with a Masters in Sculpture from The Royal College of Art, London, in 2019, and has lived many lives in between.

Dan McCleary in his studio

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Liza Victorova Mlechkova

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Installation view of Caribbean Dreams at the Zacherlfabrik, Vienna 2021

Carlos Vergara is an artist from Barranquilla, Colombia, currently studying at the University of Applied Arts Vienna. Within his work, he positions himself in the periphery of diverse scenarios.

Pati Baztán is a Spanish artist, based in Barcelona

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Elke Foltz Studio

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INSTALLATION VIEW, AUSTRIAN PAVILION, BIENNALE ARTE 2022 Photo: Georg Petermichl © Jakob Lena Knebl and Ashley Hans Scheirl

It was William Burroughs who, in the early 1960s, in his eponymously named cut-up novel, described the human body as a ‘soft machine’, constantly besieged ‘by a vast, hungry host of parasites’.

vernissage in Broumov monastery, photo: Martin Maslo 2022

Olga graduated on the Academy of Fine Arts in Bratislava and has also studied at the Vienna Academy of Fine Arts. She has realized dozens of solo and group exhibitions in Austria and in other European countries.

Upcoming exhibition. Hyper_R

Due to the fusion of digital life with the physical they have become part of our lived reality. The inability of consciousness to distinguish reality from a simulation of reality is addressed through artistic positions.

Nives Widauer, Balance, 2036. Ph: Darius Edlinger

Feels so warm that you can walk around with your transition jacket. We are invited by the artist Nives Widauer to her studio, and I arrive there with Cornelius, who backs me up in documenting this conversation.

Nicole Ruggiero

Her work concentrates on technology and the emotional and social culture surrounding it. Nicole creates stills, animations, and interactive AR and VR experiences and has exhibited her work since 2017.

Soon, oil and acrylic on canvas, 48x36 inches, 2022

Kim Dorland pushes the boundaries of painted representation through an exploration of memory, material, nostalgia, identity and place. Drawing heavily from the Canadian landscape.

Charlotte Dualé, Impuzzibil, Exhibition view at Parliament Gallery, Paris, 2022. Ph: Romain Darnaud

In Impuzzibil, there are these bodies struggling and folding and stretching in stacked boxes. They didn’t disappear but they’re not fully there either. And there is no magician present to help out.

Lumturi Blloshmi, The Medal, 2003, Oil on canvas, 112x259.5cm. Photographer: Albes Fusha, Courtesy of Lumturi Blloshmi Estate

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SPARK Art Fair Vienna 2022 | Courtesy of Simon Veres

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Installation View, Faye Wei Wei, The Moon Balloon of New York City, 2022, credits Manuel Carreon Lopez

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Fabienne Meyer's (aka Bings)

A dominating motive theme in her work is using the unexpected to create tension. Playing with the viewers expectations, she broaches the issue of moments paired with distorted items of her imagination.