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The narrative unfolds as a sociocultural odyssey and prompts introspection. The name itself, “vierundzwanzig’sieben” (twenty-four-seven), refers to our idea of the continuous engagement of art in society. This dialog has had great power and influence through the centuries. Events in society often affect artistic works and their productions. The never-ending chain of interweaving the two is then spreading to our world of dreams, evoking our emotions, and creating new ideas.

From photography capturing modern-day waste management to recontextualizing found objects, Albrecht’s work mirrors the constant interplay between personal experiences and the surrounding environment. Nina McNab explores art and sustainability using diverse mediums, transforming plastic waste into beautiful objects that challenge societal norms. Carli Fridolin Biller’s self-portraits evolve as a reflection on existence and societal norms, intertwining gender, identity, and queerness. Felix Schwentner employs various mediums to engage audiences through performances, questioning the boundaries and perception of art in today’s society.

Group exhibition: vierundzwanzig’sieben curated by Daniel Lichterwaldt
Artists: Alessandro Albrecht, Carli Fridolin Biller, Felix Schwentner, Nina McNab

Hybrid Art Fair 8
Dates: 7th – 10th March 2024
Venue: Hotel Petit Palace Santa Bárbara, Plaza de Santa Bárbara 10, Madrid, Spain

Hybrid Art Fair – www.hybridart.es/fair/


Les Nouveaux Riches is pleased to announce that in cooperation with PARALLEL Vienna and supported by the Austrian Cultural Forum Madrid, they will be participating in the 8th edition of Hybrid Art Fair in Madrid (March 2024). The participation of Les Nouveaux Riches is part of an artistic exchange between the Hybrid Art Fair and PARALLEL Vienna.

When you start writing, you never know where you will land, – says An during our last class. I want to continue genuinely seeing and feeling the art of those artists I work with, akin to T.J. Clark’s approach.

Emma Kling’s diploma thesis received the Vanessa Preger-McGillivray Prize 2024. The work subtly addresses latent power dynamics within the context of art history. A Review by Katharina Hoffmann.

Andrej Korec is a professional in his sphere. His studio sources materials locally and primarily cater to artists seeking large-scale canvases. Andrej’s dedication to quality is of prime importance.

Inspired by the work of photographer David LaChapelle and the colorful aesthetic of filmmaker Gregg Araki, his gently provocative and cinematic body of work stands out for its excessive use of colors.

Delphine Lamarque is a textile artist. Her work is strongly linked to architecture and the notion of the « nest ». For a life-size immersion, she reworks tent canvases from the 1970s and 1980s.

Alessandro Miotti, born in Marostica, currently lives and works in Venice and is a member of the studio „zolforosso.“ He graduated in 2023 from the Venice Academy of Fine Arts in Visual Arts Level II.

Diana Tarhonii and Vladyslav Prozorenko are a contemporary artist couple known as PROZZORRR. Vladyslav hails from Kyiv, the capital of Ukraine, while Diana was born in the small town of Kostopil.

Anna Veriki currently resides and works in Kyiv. Her creations predominantly grace canvas, as the artist adeptly explores various media, with a primary focus on painting and graphics.

Over the past two decades, he has embraced the dual role of a passionate supporter of artists and an avid collector of art. His curated collection boasts several hundred remarkable works.

Hanna Antonsson’s practice is based on taxidermy, sculpture, and photography. With an interest in the animal’s perspective, its symbolism, its constant presence in various myths, and our everyday life.

Maybe it is a feeling about passage or transition. It also reminds me of my works using materials related to migration and transport, like Styrofoam used to transport goods, and the car tire itself.