Barbis Ruder entfaltet in ihrer Performance-Serie lautlose Kompositionen, in denen Klang in der Stille spürbar wird. Im Zentrum steht die Frage: Wie lässt sich Ton und Nicht-Ton wahrnehmen?
Through personal anecdotes, historical reflections, and curatorial insights, curators Kilian Hanappi, Paul Buschnegg, and Selin Göksu discuss the exhibition „Zwidemu: Between Party and Process.“
VARIOUS OTHERS (VO) is Munich’s international platform for contemporary art, bringing together local art spaces and global partners in a vibrant citywide festival each fall.
A conversation with Vienna artist Katharina Höglinger on risk-taking, language apps, teaching art, and focus—marking her book „If You Don’t Believe in Yourself, Someone Else Should“.
Maya Golyshkina creates a surreal world where norms collapse. In the 2020 lockdown, her room became a stage for fantastical, dissonant photographic self-portraits.
The artist Laura Malacart and I click immediately. We connect over our shared interest in language as well as both being directors of small project spaces. Laura’s Space has the size of, well, a balcony.
Schloss Prinzendorf, about an hour from Vienna, will host the final act of Hermann Nitsch’s 6-Day Play, June 7–9, 2025—realizing his wish to keep it the O.M. Theater’s core venue.
Hyperreality is a festival for experimental and electronic music. In 2025, it returns to Vienna’s Otto Wagner Areal, transforming a former kitchen into a venue on May 23 and 24.
On Memory and Political Activism: Iraq-born, Vienna-based artist Rawan Almukhtar on winning the 2024 Kunsthalle Wien Prize for his diploma work at the Academy of Fine Arts Vienna.
Jakob Leanda Wernisch studiert im dritten Jahr Schauspielregie am Max Reinhardt Seminar und war als Schauspieler sowie Assistent an zahlreichen Projekten beteiligt.
Viennese Realism emerged in the early 1950s as a response to the political and social climate in post-war Austria. In this interview, curator Berthold Ecker discusses the movement’s origins.
Anna Breit ist eine österreichische Fotografin, die künstlerisch wie angewandt arbeitet und intime Porträts von Menschen aus ihrem Umfeld schafft – zwischen Nähe und Identität.
Come, you masters of war / You that build the big guns“. James Benning’s latest film confirms the director’s impulse to map out an event-based hermeneutic of contemporary America.
Artist Miriam Bajtala explores classism and chronological developments, linking personal history with collective memory since 2020. She poetically addresses inequality, power, and self-empowerment.