Bridges Edges is a limited-engagement, one-day, event with US/Californian artists Ismael de Anda III and Eugene Ahn, curated by Camilla Boemio, at artespaziotempo gallery in Venezia.
Analoge Fotografie war schon immer seine Leidenschaft- nun präsentiert Raphael Riegler seine neueste Ausstellung „Hi Mom, I’ve been to New York City“ im Photo Cluster im 7. Bezirk in Wien.
This prestigious international festival, brought to you by Tones on the Stones Foundation in collaboration with Threes Productions, is set to unfold from July 18th to 21st.
Rebecca Moccia has always been interested in showcasing the material transformations caused by perceptual and emotional states that can shape places over time. Her latest work Atmosferica.
The solo exhibition by Ju Young Kim, a Korea-born, Germany-based artist, opened at the max goelitz gallery in Berlin on June 27th and will be available to the public until July 27th, 2024.
Sie stellten einen zeichnerischen Dialog her. Ihr gemeinsames Projekt impliziert keine bestimmten Themen, sondern zwei parallele Visionen, die in perfekter Harmonie nebeneinander bestehen.
Kunst im öffentlichen Raum Tirol sucht 2025 nach Projekten, die im Moment der Störung ihr Potenzial entfalten und so neue Räume öffnen. Störfaktoren, die Problemstellen sichtbar machen.
Die Ausstellung des Büchsenhausen Fellowship-Programms für Kunst und Theorie 2023–24 setzt sich mit wachsenden identitätspolitischen Antagonismen und Verschiebungen auseinander.
Selina Huss ist eine in Linz ansässige, multidisziplinäre Textilkünstlerin. Sie wird für ihre experimentellen Muster, Tapisserien und einzigartigen Anwendungsbereiche in der Kunst geschätzt.
echo* intertwines the artistic practices of Martin Beck and Sung Tieu in the Grand Hall, while „Flashes of Resilience“ by Philipp Fleischmann is showcased in the studio space.
On the occasion of her solo show ECKDATEN at Brunette Coleman in London, UK, and her recent nomination for the Belvedere Artist Award here in Austria, we spoke with Miriam Stoney.
Colonial trauma has no linear trajectory, and neither does memory. It seeps and sinks into the fibres without a temporal pattern, crossing generations, back and forth between past, present & future.
Presented for the first time in Romania, the video installation Blue is both Derek Jarman’s manifesto and artistic testament, while also being a personal exploration against death.
The end of the summer semester was celebrated at the University of Arts Linz, showcasing the works created in the ateliers, studios, and workshops during the current academic year.