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Cinthia Sifa Mulanga, 'Her Element,' 84cm x 118cm, mixed media on stretched canvas. Courtesy of the artist and of ADA contemporary art gallery
Cinthia Sifa Mulanga, ‚Her Element,‘ 84cm x 118cm, mixed media on stretched canvas. Courtesy of the artist and of ADA contemporary art gallery

Curated by Adora Mba, founder and director of ADA \ contemporary art gallery, Mother of Mankind sheds light on a new generation of rising artists whose work challenges and deconstructs art historical canons of representation – recurring motives which often marginalize and obliterate Black figures, and in particular, the Black female figure. Each artist investigates, in her own unique way, current perceptions of identity, gender, sexuality, family and society, all-the- while bringing forth her personal experience and a distinct visual narrative across a range of media. More than a collection of global female artists, Mother of Mankind is envisioned as a statement, a sisterhood, and an artistic call to arms. Advancing the connection to Mother Earth, Mother Nature, and Mother Africa, the artists portray varied self-definitions of the Black woman, in light of a new approach and artistic contribution to contemporary art.

Jamilla Okubo, I do not come to you as a reality. I come to you as The Myth (Pentecost), 2021. Mixed media, acrylic on canvas, 183 cm x 244 cm. Courtesy of the artist and Mehari Sequar Gallery.
Jamilla Okubo, I do not come to you as a reality. I come to you as The Myth (Pentecost), 2021. Mixed media, acrylic on canvas, 183 cm x 244 cm. Courtesy of the artist and Mehari Sequar Gallery.

Placing her as the central figure, an active participant in their art, they draw upon visual cues from diverse galvanic portraitures to achieve a balance between realism and abstraction, forms and textures, power and vulnerabilities. In the spirit of social change and reform, each brings forth a new position, in lieu of a new definition, of the Black woman. Rather than attributing new roles to this marginalized figure, they establish a new space for existing roles to be unveiled and shared.

Director of ADA \ contemporary art gallery and curator Adora Mba explains: “At a time when singular voices demonstrate their strength when united, I feel privileged to showcase the works of these remarkably talented artists in one of the cities I call home. The women presented in this show are in the early days of their artistic careers, yet already making waves and drawing attention amidst an industry which tends to be more supportive of their male counterparts. In working with ADA, HOFA is lending us a space for their, for our, voices to be heard; our stories to be told; our creative spirits to conceive, unbound, forging our own narratives. Beyond being artists that I personally admire, these women are my sisters, my kin from across the globe.”

Marcellina Akpojotor, Set to Flourish II, 2021. Fabric and acrylic on canvas, 121.9 x 152.4 cm. Courtesy of the artist and Rele Art Gallery, Lagos, Nigeria.
Marcellina Akpojotor, Set to Flourish II, 2021. Fabric and acrylic on canvas, 121.9 x 152.4 cm. Courtesy of the artist and Rele Art Gallery, Lagos, Nigeria.

Elio D’Anna, co-founder and director of HOFA, pursues: “This exhibition is the first of its kind at HOFA Gallery, and we are honored to showcase powerful and norm- defying visual narratives of Black femininity as told by Black female artists. Brought together through the lens of a Black female curator, Mother of Mankind engages boldly and critically with international events and discussions over the past few months, making it a particularly relevant, momentous exhibition in London this year.”

Moving the dialogue away from a normative femininity, Mother of Mankind places the frame on the specific Black experience, by showcasing artists whose construct of femininity is conceptualized in its application to women from Africa and its diaspora. Hailing from a range of countries, from Nigeria, Ghana and South Africa to Canada, the US, the UK and France, the participating artists consciously reject and redefine traditional standards of beauty, perception and representation – thereby reclaiming ownership over their narrative and elevating a Black female consciousness and identity.

Mookho Ntho, ‘Under the Dryer II,’ oil on canvas,78 x 100 cm, 2021.Courtesy of the artist and of ADA contemporary art gallery
Mookho Ntho, ‘Under the Dryer II,’ oil on canvas,78 x 100 cm, 2021.
Courtesy of the artist and of ADA contemporary art gallery

Participating artists: Jamilla Okubo, Adebunmi Gbadebo, Emma Prempeh, Ekene Maduka, Ayobola Kekere-Ekun, Muofhe Manavhela, Mookho Ntho, Cece Phillips, Alexandria Couch, Sola Olulode, Marcellina Akpojotor, Cinthia Sifa Mulanga, Chinaza Agbor, Damilola Onosowbo, Marcus Tobi, Alexandra Falade, Dimakatso Mathopa, Sophia Oshodin, Bria Fernandes

Group exhibition: Mother of mankind, an all-female curated by Adora Mba
Exhibition duration: July 22 – August 31, 2021

About Adora Mba: Adora Mba (b. 1986, London) is the founder and director of ADA \ contemporary art gallery, a commercial art space based in Accra, Ghana, committed to representing emerging artists across Africa and its diaspora. Raised in London, Accra and Lagos, Mba spent her formative years cultivating a dialogue between her African roots and European education. Her extensive travels led her to develop a keen interest in contemporary art, and in particular the African art scene. An art advisor, collector and writer, Mba’s experience working in the contemporary African art industry nurtured her expertise on the continent’s artistic scene. Starting her career in cultural journalism and public relations, she soon relocated to Ghana where she acted as art consultant for various actors of the cultural sector (Ghana Ministry of Culture; Adjaye Associates). In 2017, she launched The Afropolitan Collector, an art advisory platform specialized in the acquisition and promotion of contemporary art and design from Africa. Throughout her career, Mba witnessed a bounded African artistic scene, lacking the infrastructure necessary to achieve its full potential. Responding to this need and to her desire to support emerging artists, she founded the ADA \ contemporary art gallery in 2020 in Accra.

About ADA \ contemporary art gallery: Based in Accra, Ghana, ADA \ contemporary art gallery specializes in the work of emerging artists across Africa and its diaspora. Established in 2020 by contemporary African art advisor Adora Mba, ADA is committed to nurturing Ghana and the continent’s contemporary art community and to fostering its ties and influence amongst global audiences. Highlighting individual early career artistic practices, the gallery’s program includes dedicated solo exhibitions; off-site projects and exhibitions; site-specific commissions; talks; creative partnerships and philanthropic activities with local actors; and international art fairs. In parallel, ADA will develop a residency program starting in the Summer 2021, bringing together a local Ghanaian artist and an international artist whose practice is rooted in Africa and its legacy. Cultivating a dialogue between the local and the international artists, the residency is a manifest to ADA’s engagement in strengthening these ties and to establishing Ghana’s emerging artistic scene and market internationally.

Sophia Oshodin, While We Wait, 2021. Acrylic on canvas, 91.4 x 91.4 cm. Courtesy of the artist and of ADA \ contemporary art gallery.
Sophia Oshodin, While We Wait, 2021. Acrylic on canvas, 91.4 x 91.4 cm.
Courtesy of the artist and of ADA \ contemporary art gallery.

About House of Fine Art (HOFA): HOFA Gallery (House of Fine Art) specializes in contemporary art by established and emerging international artists. HOFA is determined to feature a multitude of artistic disciplines with an intent focus on exceptional talent, diversity and cultural relevance. Dedicated to supporting rare talent and making their work globally accessible, the gallery works closely with all of its artists to ensure the highest level of excellence and integrity across its locations in London, Los Angeles and Mykonos. With a unique selection of highly collectable artworks of appreciative value and an uncompromising dedication to art world innovation, the gallery is committed to its mission in cultural leadership. Using new technologies and digital innovations, HOFA pledges an accessible entry point to the market and inclusivity to art collectors on all levels.

Address and contact:
House of Fine Art (HOFA)
11 Bruton Street, Mayfair London W1J 6PY United Kingdom
www.thehouseoffineart.com

Darja Shatalova ist eine transdisziplinär arbeitende Künstlerin, mit russischen Wurzeln. Die Grundlage ihrer Arbeiten liegt in Künstlerbüchern, die in raumbezogene Installationen und Langzeit-Performances.

Wir besuchten die neuen Räumlichkeiten des Kahán Art Space im zweiten Bezirk. Ein Einblick in einen Space, der sich vor allem mit den politischen und sozialen Dimensionen der Kunst beschäftigt.

Anna Bochkova was born in Rostov-on-Don, where she started her initial studies in art school. Very soon, she realized that this situation was not leading her to the path of self-realization.

Nina Archer’s studio in the Shropshire hills overlooks long views of hills and rolling countryside and she spends a lot of time walking and observing her immediate environment.

Drei Tage voller Kunst und Kultur: Von 24. – 26. Juni 2021 öffnet der Creative Cluster in Wien Margareten seine Türen: Rund 140 Künstler*innen und Kulturschaffende präsentieren ihre Arbeiten.

Borjana Ventzislavova’s project critically expands on dualism between nature and human being, nature and culture, nature and technology. Aesthetically inspired with science fiction of the 1980s.

Steirische Künstler*innen der Kunstakademie Wien zeigen ihre Arbeiten im Kunsthaus Weiz. Ausstellende Künstler*innen: Nanna Kaiser, Patrick Winkler, Tobias Ehrhardt, Sofie Fatouretchi, Jakob Kolb, usw.

Galleria Umberto Di Marino is delighted to present André Romão’s third solo exhibition. The title of the show comes from André’s deep fascination with the Chinese literary tradition of the fantastic tale.

Die Arbeit von Sofia Cruz Rocha spielt innerhalb dieser Konzepte, die in der zeitgenössischen Kunst ausdrückt werden. Aus dem Studium der hermetischen Philosophie entsteht eine eigene Bildsprache.

Das Angewandte Festival findet heuer zum dritten Mal von 29. Juni bis 2. Juli 2021 statt. Wir haben Lena Kohlmayr, Leitung des Kuratorischen Teams, fünf Fragen rund um das Festival gestellt.

Art logistics are an excellent excuse to travel, giving some fun to our wild souls. During a studio relocation in 2019, Luigi expressed the wish for a travelling exhibition. Some months later, we got a van.

In der Ausstellung „Im Schein von Rauch und Flamme“ setzt sich Florian mit zwei Regionen auseinander, die sich durch ihre reiche Naturlandschaft charakterisieren: Tirol und Zentralkalifornien.

Es brodelt wieder in unseren Räumen und aus uns heraus. Seit drei Jahren bildet das Angewandte Festival den Abschluss und Höhepunkt des Studienjahres an der Universität für angewandte Kunst Wien.

Anka Helfert’s solo show ‘Grey Garlands’ took place in April at the Prám Studio, Prague. Despite having seen it only digital (which is a new norm), I am keen on sharing my thoughts about it.

„Was macht uns zu Menschen, wie sieht ein authentisches Leben aus, und in welchem Maße spiegelt Kunst das eigene Verhältnis zur Welt“, das sind die Fragen, die Karin Zeiner Salzmann antreiben.

Julian Oberhofer Felderer arbeitet in Wien und Südtirol. In seiner Technik wird ein Realismus angestrebt, der aber durchaus surreal durchbrochen ist und abstrakte Elemente zulässt.

Anne Bengard wurde in Leipzig geboren und lebte in Berlin, bis sie im Alter von 9 Jahren in eine kleine Küstenstadt im Südwesten Englands zog, was zu einer doppelten Erziehung führte.

Mifuu Oda was born in 1997, graduated from Osaka University of the Arts, Department of Art Planning. She is a young artist who works on the symbolic image of a “girl” with shades of acrylic paint.

FJBAUR ist ein Pendler zwischen Kunst und Mode. Seine Objekte sind Resultate einer prozessualen Handschrift, die zwischen Struktur, Ordnung und Offenheit sowie Heterogenität andererseits changieren.

Russischer Ausnahmekünstler Vasily Klyukin stellt erstmals in Wien aus Ausstellung „Civilization. The island of the day before“ im Bank Austria Kunstforum zeigt Querschnitt durch sein Schaffen.