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Soon, oil and acrylic on canvas, 48x36 inches, 2022
Soon, oil and acrylic on canvas, 48×36 inches, 2022

His refusal to remain faithful to one medium or approach plays into the symbiotic nature of his work. Born in 1974 in Wainwright, Alberta, Canada, Dorland holds an MFA from York University in Toronto, and a BFA from the Emily Carr Institute of Art and Design, in Vancouver. He has exhibited globally, including shows in Milan, London, New York, Chicago and Los Angeles. His work is featured in the Contemporary Art Foundation (Japan), The Sander Collection (Berlin); Musée des beaux-arts de Montréal; Musée d’art contemporain de Montreal; Glenbow Museum (Calgary); Museum of Contemporary Art San Diego, Art Gallery of Alberta, the Audain Art Museum and numerous important private collections. Dorland currently lives and works in Toronto.

What is art for you?
Art is everything to me. If I’m not working on art I’m thinking about it, or reading about it, or scrolling through it. I wish I had other interests sometimes but not really.

What experiences have influenced your work?
I grew up very poor in various small towns in Alberta, Canada. This experience definitely helped form my worldview. I saw some very ugly things as a child and teenager before I left home at 17. After that I decided to become a painter and after several years of work I decided to actually use my life experiences as subject. Being a Canadian, things like being in Nature or witnessing the destruction of nature have also been very informative.

Can you describe your studio?
I try every now and then to get my studio organized but it is usually a disaster. I work very well in chaos.

How do you create your works?
I used to use a lot of photography as a reference but now I mostly have photos around as a jumping off point…I mostly work from my own drawings now. I doodle and sketch a lot. I always have an intention with my work. I don’t paint just to see what happens. I also try to let accidents and chance plays a role in the creation of the work. I mostly work on canvas that is stretched backwards (so that the primed side is the back of the painting), or on linen that is only sized. I like a very absorbent surface.

I work on several paintings at the same time so that I don’t get fixated on one work. I find this gives me time to breathe and not solve too quickly. A painting usually tells me when it’s done.

Totem, oil on canvas, 30x24 inches, 2022
Totem, oil on canvas, 30×24 inches, 2022

Describe how art is important to society?
That’s a tough question because the answer different for everyone. I think art can benefit society for several reasons. It can mark a time, look at difficult subjects aesthetically, or even be an escape from difficult circumstances.

Does it have to be quiet or do you listen to music?
I listen to music constantly in the studio. It helps me clear my mind and focus on what I’m doing without all the static of my anxieties creeping in.

Portrait of the Artist at the End Of the World, oil on canvas, 30x24 inches, 2022
Portrait of the Artist at the End Of the World, oil on canvas, 30×24 inches, 2022

What are you working on right now? Do you have upcoming shows?
I’m getting started on a show that will be here in Toronto this fall. I also have a show in Los Angeles this Fall. I’m in the beginning stages where I’m trying some new things out to see what happens. The fun part…

Kim Dorland – www.instagram.com/kimdorland/

In Impuzzibil, there are these bodies struggling and folding and stretching in stacked boxes. They didn’t disappear but they’re not fully there either. And there is no magician present to help out.

From one art fair to the next, from Vienna to Milan. Therefore, the impressions of the second edition of SPARK reach the reader a little late. I deliberately visited the site of the art fair three times.

Faye Wei Wei’s paintings feel like they are wearing lingerie, draped in a body of delicate sensuous marks. The colors, often posed against a white background of exposed untouched canvas, are transparent and fleeting.

A dominating motive theme in her work is using the unexpected to create tension. Playing with the viewers expectations, she broaches the issue of moments paired with distorted items of her imagination.

A Coloured Story, a solo exhibition, by painter Idowu Oluwaseun explores Black intimacy across a spectrum of skin colours. In our ongoing racialized modernity, the taboo or the stigmata of being in possession of more or less melanin shows up in the pervasiveness of colorism—an inheritance of the violence of slavery and colonialism—that continues to organize intraracial sociality today.

The classic 90s anime franchise Evangelion proposes a theory where humanity can overcome its bodily boundaries and unite their souls as one, brought onwards by mankind, a forced step in evolution.

The bookshelf is much more than just an item of furniture, which serves to store all kinds of objects. Often objects accompany us for years and show our personality. What is on your bookshelf?

Keyframe is a digital Art exhibition in Vienna. The exhibition takes place from the 31st of March to 2nd April 2022. 36 different artists will be exhibiting animated artworks, which will be shown on really screens.

“Now!” “Hurry!” “One time only!” “Last chance!” “Before it’s gone!” – Contemporary life demands our constant alertness and attention, and for those who aim to neglect it, responds with the fear of missing out.

Sarah Sharafi in conversation with Liudmila Kirsanova about her art project Apocalypse. Self-published since 2016, it engages artists of different backgrounds to reflect on the ambiguous idea of apocalypse.

It is impossible to see Caro Jost’s work and remain untouched. Since 2000, the artist works worldwide and documents time, space, and events of life in her unique artistic approach.

Ebru Duruman has studied high school at ENKA Schools, Istanbul and has been awarded with the honorary ART Award in 2010. She has graduated from Rhode Island School of Design (RISD) in 2015.

C/20 is an association for international curatorial practice co-founded in 2020 by Paula Marschalek and Alexandra Steinacker. The focus of C/20 is to bring arts and culture closer to the community.

“Search for Your People” is a name of a Telegram channel containing photos of killed and captured Russian Armed Forces in Ukraine. The image of a teared apart soldier was found in that Telegram group.

I often get lost in the search for exhibitions that take place abroad. Through the platform Current Athens, I learned about the show „Bread and Digestifs“. The art space, Callirrhoë is relatively new, and when I see the pictures and the area, the place reminds me strongly of my hometown Tirana.

Marc Sparfel is a French artist, living and working in Barcelona for more than 20 years. He spent his childhood in the countryside, in front of the sea. His first contact with art was through his father’s books.

For her first show she created a portrait series of Leonardo DiCaprio exhibited paired or grouped with self-portraits. Rendered in small format, against the plain background, the protagonists appear cut out of context.