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Mino, imitation of life, 2017 framed 60 x 60 cm digital print, 1 / 3 + 1 AP
Mino, imitation of life, 2017 framed 60 x 60 cm digital print, 1 / 3 + 1 AP

The Dragonfly picture is a 6×4 printout, the paper is glossy and thick. It is still in a good shape. Unfortunately, I cannot find the film’s stripes containing that picture. Only two more photographs survived from that film roll. The first one is a portrait of my classmate Boccino – taken in the hotel room where we were staying; the other is a snapshot of my friend Pamela and I sitting close together on the homebound coach. There is another picture from that trip that often comes to my mind: a gigantic plastic cricket.

Despite the subject being completely out of focus, I remember being so in love with that photograph.

MINO, Thieves’ Dromos, 2022. Exhibition view at Stallmann Gallery Berlin
MINO, Thieves’ Dromos, 2022. Exhibition view at Stallmann Gallery Berlin

For years, I kept moving it from school journal to school journal, until – without ever realizing – I lost touch with it. Like toys, some photographs become seemingly too ‘childish’ when you grow into a teenager. And so, becoming one, I brushed out of my room all those pictures embodying old memories and – possessed by the future – I jumped into the new digital era, where the PC was king. Today, a ‘grown-up’ that I am, I dig into dusty boxes looking for my old toys. Maybe, one day, I am going find the gigantic plastic cricket again.

Address and contact:
STALLMANN
Schillerstraße 70, 10627 Berlin
www.stallmann.club
www.instagram.com/stallmann.galleries/

Nach erfolgreichem Start im letzen Jahr, wird PARALLEL VIENNA erneut zusätzlich zur Kunstmesse im September das Konzept der PARALLEL EDITIONS vom 12. bis 15. Mai 2022 veranstalten.

Christoph Doswald, Bettina Leidl und Marieke Wiegel sowie Fiona Liewehr kuratieren die Sondersektionen der SPARK Art Fair 2022 in der Wiener Marx Halle. Neue Schwerpunkte für neue Künstler*innen.

Azadeh Vaziri, geboren 1984 in Teheran, lebt und arbeitet in Wien. Bis 2013 besuchte sie die Azad Universität Teheran. Nach ihrem Abschluss widmet sie sich der Politik und kämpft für die Freiheit der Frauen.

Her creations include installation, sculpture, performance and video, among which sculpture is the core of her work. A revisitation of sculpture, an extension of its three dimensionality & attunement to body.

Thinking About the Future as a mental process known as prospection comprises future planning, future oriented emotional experience visually lived through imaginative scenarios of a possible future.

Kunsthalle Lissabon presents the first solo show in Portugal by the Italian artist Giulio Scalisi. A house for a gentleman is both a story of a house and story of a gentleman set in a not-so-distant dystopic future.

A relentless noise that prevents other sounds from invading our auditory perception; a noise made of the entire spectrum of sound frequencies, in a harmonic way, without any of them being distinguishable.

In her works, Darja Shatalova examines the structures of her environment and personal life on the macro level. She presents for the first time her entire archive of recordings in an accesible, space-based installation.

Galleria Umberto Di Marino is delighted to present the latest personal exhibition of Eugenio Tibaldi, with the title Balera. The new project traces a line of continuity with the exhibition Più in là che Abruzzi.

The year 2021 in short from LNR’s point of view: In addition to discoveries of artists, online publications, columns and contributions, this year has again involved corporeal productions.

Projections is a series of screenings exploring the unexpected unfolding of minimal and fragmented narratives. The selected works use a plain yet evocative language and merge generations.

Eigentlich ist hier nichts erfunden. Wohl wurde es nicht von jeder der beteiligten Personen genauso wahrgenommen, aber das ändert wohl nichts an der Tatsache, dass es von jemandem so erlebt wurde.

Und wann hören die entsprechenden Erinnerungen auf zu existieren? Gibt es überhaupt Erinnerungen, ohne jemanden, mit dem wir sie teilen können, ohne den Ort, zu dem sie gehören?

Sara Lanner entwickelt ihre Erkundungen zu Identität und Körper, den sie als soziale Choreografie und Skulptur begreift, mit performativen und choreografischen Ansätzen.

What took several months to accomplish for Jules Verne’s ‘adventurers’ in “Le Tour du monde en quatre-vingts jours”, we can do in 80 minutes. See how in “Around the World in 80 Minutes”.

Jordan Sullivan was born in Houston, Texas. He was raised in rural Ohio and suburban Detroit. Before becoming a full-time artist, he was fired from a number of odd jobs in Texas, New York City, and Los Angeles.

Neda Nikolic visual artist based in Austria deals mostly with a topic of ludic space, both virtual and analog. She completed two Art Studies, one in Serbia, Belgrade, and second in Austria, Vienna.