The exhibition „still (a little life),“ curated by Barbara Horvath, with works by Judith Eisler, Neven Allgeier, and Pakui Hardware, is on view until the 11th of April. 2026 in The Hall.
Exhibition “Robotron. Working Class and Intelligentsia” is on view in Hartware MedienKunstVerein until 26. July 2026. Exhibition is prepared in collaboration with the GfZK Leipzig.
From 29 to 31 May 2026, with the opening day on 28 May 2026, the Independent Space Index once again invites visitors to discover Vienna’s diverse and vibrant independent art scene.
Will-o’-the-wisp refers to a soft, flickering light appearing in swamps or wetlands, historically interpreted as an illusion, omen, or wonder. Something not graspable, a brief moment, a light in the dark.
The newest part of the project spans twenty years already. „Developments“ will be exhibited in La Villette in Paris. With Artist Erik Tannhäuser on the project’s origins, all the locations.
Landscapes, animals, and people, all painted through a blue filter — the exhibition „am weg“ by Marko Djurdjevic draws from autobiography and is on view at galerie gugging until 22 May 2026.
‘Geometrische Gefühle’ by Sabine Aichhorn at Hollerei Galerie is on view until 29 March. The series of her newest works in various formats presents the artist’s emotional states through forms.
On Beginnings, Objecthood, and Milan in the 1980s. In-depth about material agency, mechanical choreography, and aesthetics & functions of display in Anna Franceschini’s expanding body of work.
Die künstlerische Praxis von Nicolas Cilins zeichnet sich durch ihren kollaborativen Charakter aus, bei der Menschen und Gemeinschaften aktiv in den kreativen Prozess miteinbezogen werden.
Eine Performance für jedes Alter ab 1 Jahr im Toihaus Theater Salzburg. Eine Performerin erkundet das Wesen der Steine, ihr Gewicht, ihre Formen, ihre Möglichkeiten des Liegens und der Bewegung.
Zagreb-based artist Ivana Fischer talks about her studying times, influences, and how her work navigates themes of identity and vulnerability through intuition. In preparations for her next solo show.
Future Horizons also encapsulates the vision of the Alexander Tutsek-Stiftung, reflecting its generous commitment over the past 25 years to contemporary sculpture and installations using glass.
To blur the boundaries between exterior and interior, to unsettle the interface between nature and construction, and to investigate on the relation between our bodies and the space we’re living in.
Yumna Al-Arashi employs a polyvalent artistic practice across photography, and sculpture to challenge colonial, patriarchal, and Orientalist ways of seeing the female body.