Was in Österreich an Kunst gesammelt wird, bleibt oft im Verborgenen. Ab Mai wird sich dies ändern: 14 Sammler:innen treten mit ihren Sammlungen gemeinsam an die Öffentlichkeit.
As bell hooks recalls of her grandmother Baba, we do not only shape our environment, it shapes us in return: who we become, what we desire, and where we imagine ourselves going.
Romero Paprocki returns to miart with a booth bridging Paris and Milan, presenting works by Carbonne, Jacquot, Mo Rielly, and Mesnil, exploring collecting, risk, and dialogue.
At the start of April we stayed in Rome and caught the opening of “Tragicomica” at MAXXI. We visited MACRO, saw a screening and a sound performance, and checked out galleries & art spaces.
Die Energie AG vergibt mit der Kunstuni Linz 4.500€ für „Un/learning“: Umlernen als Zukunft. Welche Routinen wir verlernen müssen – und wie Kunst das sichtbar macht kann.
Odermatt’s new project emerges from her concerns about what she describes as „a disenchanted world, increasingly dominated by technology, algorithms, and hyper-capitalism.“
Kunst trifft Klima und erobert bis zum 10. Mai die Stadt – in der Festivalzentrale im KunstHausWien, im öffentlichen Raum und an weiteren rund 60 Orten in ganz Wien.
During Chicago Art Week, Neighbors Art Fair transforms a historic Gold Coast apartment into a communal, domestic space, rethinking the art fair as an intimate, collective experience.
The sculptures convey an undeniable sense of solidity and history, yet, through playful gestures and material rearticulations, they become responsive and fully alive.
“Hermann Nitsch. Von Sonnenaufgang an“. Curated by Julia Moebus-Puck, the exhibition is focused on Nitsch’s connections to the sacred and Christian liturgy through the lens of his practice.
Ljubljana Art Weekend is back with its fifth edition under the artistic direction of the team behind ETC. Magazine. There will be plenty of talks, walks, and everything in between.
ART CIRCLE’s 4th edition in St. Wolfgang transforms historic lakeside hotels into residencies where international artists live, create, and exhibit from April 27 to May 3, 2026.
With Anne Faucheret, Curator of this year’s edition of “Immediate Matters,” about the exhibition program titled “Speak We Must We Must Speak,” which will take place in ten independent art
Mahsa Aleph presents a continuation of her two long term projects. Her practice is characterized by intense engagement with fragments, debris, and memory, as well as themes of resilience.