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How would you describe the main goals of you and the team while organizing this year’s SPARK?
The goal was to further develop the fair concept based on the proven approach of showcasing exclusively solo presentations. This year’s edition follows the curatorial concept of “the city in dialogue” and highlights Vienna’s position as a hub for contemporary art and a place for renowned institutions. The curatorial board, consisting of Walter Seidl, Marina Fokidis, Christoph Doswald, and myself, aimed to curate the fair in its entirety, thus enhancing the institutional flair of the overall presentation. Another new aspect is a curated video program in the Globe Theatre located within the Marx Halle, where a talk program featuring numerous international guests will also take place. One main goal is to internationalize the fair by involving more galleries, artists, and visitors.

Fiedler, Jan Gustav © aeliaandthecamera
Jan Gustav Fiedler © aeliaandthecamera

Did your experience in the off-space scene, among other things, help you at the SPARK Art Fair?
Working in the off-space scene and together with young and emerging artists has been a key experience that plays a central role in the curation of the fair. One central aspect during the invitation process of SPARK was to present exciting emerging positions from the Austria-based art scene, such as Marc Henry (Galerie Kandlhofer), Negra Bernhard (Smolka Contemporary), Maximiliano León (Barvinskyi Art Gallery), Louise Deininger (Xenson Art Space), Arang Choi (Elektrohalle Rhomberg), Eiko Gröschl (Charim Galerie), Konstanze Stoiber (Galerie nächst St. Stephan), and Karo Kuchar (Galerie Suppan).

Do you see an increasing relevance of supporting programs at the Art Fair in terms of growing artistic diversity?
The interaction with the city and our partner goes hand in hand with the motto of the Art Fair. It also attracts international visitors to experience the numerous facets of cultural life in Vienna, with over 100 exhibited artists from all over the world, talks, and the city itself with guided museum tours, private collection visits, receptions, and parties.

If you perceive the Art Fair as an immersive realm of experiences, what is particularly important?
To provide the best possible stage for the exhibited artists.

What message would you like to convey to visitors?
Immerse yourself in the Art Fair, and if the encounter sparks a connection with the artworks, don’t hesitate to take them home.

Jan Gustav Fiedler – www.instagram.com/jangustavfiedler/


Note: This text is part of our WallArt Journal #2, which we specially produced for the SPARK Art Fair 2024 in Vienna. You can find copies around Vienna, or if you want to have one, feel free to contact us.

There is a similarity between detective stories and visiting an art exhibition: in both we are looking for clues. This is how art criticism turned me into a voyeur or you could also call it a detective figure.

So on this occasion, we took a chance to bring you closer to the process and history of the Raku technique, born in Japan and brought by Bernard Leach to the West—actually to England in the 1920s.

… to the Helmut Lang Archive (MAK). In 2005, he left the fashion world and the brand where he was the main designer from its establishment, and which today still holds his name.

Pia Aydt, born in 1998, lives and works in Vienna. She studies fine arts at the University of Applied Arts Vienna, focusing on drawing. Her work strongly revolves around ambivalent emotions.

Das feministisch inspirierte Künstler:innennetzwerk wurde 1977 gegründet, um die Situation für Frauen im sozialen und künstlerischen Sektor zu verbessern und setzt sich bis heute für diese Themen ein.

The Saun Santipreecha’s solo show engages with three novels by Italo Calvino—If On A Winter’s Night A Traveler, Invisible Cities, and Mr. Palomar—as well as the three cities: Bangkok, Los Angeles, Rome.

On the 18th of March Tirana Art Lab will reveal a permanent installation by internationally acclaimed artist Karolina Halatek. The light installation invites viewers to immerse.

Erjola Zhuka’s aim is to celebrate human potential, forge new ways of being, and challenge normes imposed by contemporary societies. The phrase „As if you know nothing“ captures …

Nick Havelka ist ein in Tschechien geborener und in Österreich lebender Künstler. 2023 schloss er sein Studium an der Universität für Angewandte Kunst Wien mit der Diplomarbeit „I am Fine!“ ab.

Theresa Rothe lebt als bildende Künstlerin in Leipzig. Ab 2013 studierte sie an der Hochschule für Bildende Künste in Dresden und schloss 2022 ihren Meisterschüler bei Prof. Wilhelm Mundt ab.

Upon the release of their latest single, „Wir sind bereit,“ we meet the frontman Peter Englert from the German band The Döftels. Englert tells Les Nouveaux Riches what influences them.

When you start writing, you never know where you will land, – says An during our last class. I want to continue genuinely seeing and feeling the art of those artists I work with, akin to T.J. Clark’s approach.

Emma Kling’s diploma thesis received the Vanessa Preger-McGillivray Prize 2024. The work subtly addresses latent power dynamics within the context of art history. A Review by Katharina Hoffmann.

Andrej Korec is a professional in his sphere. His studio sources materials locally and primarily cater to artists seeking large-scale canvases. Andrej’s dedication to quality is of prime importance.