Category

Kunst

Category

Just in time for the summer, we are pleased to present the first highlights of viennacontemporary 2022. National and international galleries have been personally invited by artistic director Boris Ondreička and the viennacontemporary admissions committee, promising presentations of the highest quality as well as exciting new discoveries.

With special programs such as ZONE1, an exhibition of young artists living and working in Austria curated by Tjaša Pogačar, Sessions, an extensive educational program with international experts and collectors in cooperation with the University of Applied Arts and the Academy of Fine Arts Vienna, STATEMENT UKRAINE, a multi-part statement on what is unfolding in Ukraine and Europe, as well as concerts, performances and film screenings around Kursalon Vienna, this year’s viennacontemporary promises to be one of the most exciting editions yet. A tailored New Collectors Program in cooperation with the online platform Artsy is designed to assist budding art collectors in navigating what is often initially perceived as an overwhelming offer of artworks.

STATEMENT UKRAINE. On February 24, 2022, the reality of life for people in Ukraine, Europe, and the rest of the world suddenly changed with the invasion of Ukraine by Russian troops. Among the millions of people who fled are numerous artistic and creative professionals. Like many other institutions, viennacontemporary is personally and professionally affected by the humanitarian catastrophe and would like to contribute. With STATEMENT UKRAINE, viennacontemporary wants to show what art fairs can do for the common good, support artists in and from Ukraine, and promote the visibility of Ukrainian culture abroad.

Initiated by Boris Ondreička and Yana Barinova, former Kyiv City Councillor for Culture and now Development Officer at viennacontemporary, STATEMENT UKRAINE forms this year’s content focus of viennacontemporary and is composed of several parts:

The first part is an exhibition of twenty Ukrainian and international artists exploring diverse media from photography to film to ceramics, curated by Kateryna Filyuk, curator of the First Kyiv International Biennial of Contemporary Art ARSENALE. The exhibition will take place during the days of viennacontemporary in cooperation with and in the rooms of das weisse haus and is open to the public free of charge.

Exhibition Opening: Wednesday 7 September 2022, 7:00 pm
Location: das weisse haus, Hegelgasse 14, 1010 Wien

The exhibition opening will be preceded by a panel discussion accompanying the project on the role of art and culture in times of crisis in Ukraine and Europe. The discussion will feature leading Ukrainian, Austrian and European figures and the participating artists. This part of STATEMENT UKRAINE encourages a local and international audience to participate in a dialogue about the future of Europe. Furthermore, viennacontemporary will launch the NFT drop VC STATEMENT UKRAINE CRYPTO PROJECT to support the Ukrainian art scene. This will feature around eight artworks by established contemporary Ukrainian artists in collaboration with international crypto artists, selected by Yana Barinova, Boris Ondreička (both viennacontemporary), Benoit Couty (founder of the Museum of Crypto Art), and Yura Miron (leading Ukrainian crypto artist). 30% of primary sales will be donated to a charity in Ukraine, the remaining proceeds will be divided among participating artists and stakeholders.

viennacontemporary in cooperation with gmunden.photo. A preview of STATEMENT UKRAINE is already provided at the cooperation project gmunden.photo: photos and films by Ukrainian and Austrian artists will be juxtaposed in exhibition containers in the Stadtgarten Gmunden this summer under the curatorial direction of Yana Barinova and Boris Ondreička.

gmunden.photo – Curated by Yana Barinova and Boris Ondreička (both viennacontemporary) On view from 2 July – 14 August 2022

Kateryna Filyuk is a curator and researcher and currently serves as a curator at Izolyatsia, a platform for cultural initiatives in Kyiv. She is also co-founder of the publishing house “89books” in Palermo. Filyuk is the founder and affiliate of “Festival Ucraina. La Terra di Confine in Palermo” (2022). In 2020-21, she was a member of the Board of Trustees of the Others Art Fair (Turin). Before joining Izolyatsia, she was co-curator of the Festival of Young Ukrainian Artists at Mystetskyi Arsenal, Kyiv (2017). She has participated in several internationally renowned curatorial programs, including the Young Curators Residency Program at Fondazione Sandretto Re Rebaudengo, Turin (2017); De Appel Curatorial Programme, Amsterdam (2015-2016); International Research Fellowship at the National Museum of Modern and Contemporary Art (MMCA), Seoul (2014); and Gwangju Biennial International Curator Course (2012). She was the editor of the catalog and coordinator of the discussion platform for the First International Biennial of Contemporary Art in Kyiv ARSENALE 2012. She has an MA in Philosophy from Odessa I.I. Mechnikov National University and has been a PhD student at the University of Palermo since 2021.

Tjaša Pogačar is an independent curator of contemporary art and co-founder and editor-in-chief of Šum, a Ljubljana-based magazine, and platform for art and theory-fiction. She worked with the Museum of Contemporary Art Metelkova, Škuc Gallery, and Aksioma Project Space in Ljubljana, among others, curating solo and group shows and collaborating mostly with the younger generation of artists. In 2019/20 she curated two editions of IFCA – International Festival of Computer Arts in Maribor titled Automated Ecologies and Infrastructure Complex: Altered Earth that focused on questions arising from the intertwining of technology and planetary ecologies. She works also as a curator and producer of new media art at the Projekt Atol Institute in Ljubljana. With Šum and Projekt Atol she launched an offsite/online exhibition project Plaza Protocol that is developing new formats and plots for and from an unfinished construction site of an underground shopping mall on the outskirts of the city. She is also the curator of ISKRA DELTA – 34th Ljubljana Graphic Biennale. In 2022, she will be curating the special show ZONE1, which features solo exhibitions by young artists with a connection to Austria at viennacontemporary.

viennacontemporary 2022
from 8–11 September

Link to the exhibitor list

Address and contact:
Kursalon Vienna
Johannesgasse 33, 1010 Vienna, Austria
www.viennacontemporary.at

Die Galerie Martin Janda zeigt in der Ausstellung Arbeiten von Igor Blomberg Tranaeus, Adriana Czernin, Svenja Deininger, Lukas Kaufmann, Tania Pérez Córdova, Chin Tsao und Sharon Ya’ari.

Back in Odesa, Tanya tells me, her life-like sculptures of cats populated the city’s structures; they lounged and napped in the sun, stretched, hunted, and ate fish (or dreamt of eating it).

CLOSING SOON presents I Was Lost In Untamed Forms Of Hidden Experiences, In Vast Places That Are Eliminated, a solo exhibition of Eva Anerrapsi. The installation consists of an archive of thoughts.

ich & ik is the second part of the two part exhibition series where Roman Pfeffer and Peter De Meyer find each other in an intriguing, multi-layered dialogue about the ‚I‘ in its different appearances.

The Exhibition „Blind Spots“ displays visual Stories of the artists. A sense of reality would not be possible without our mind filling in visual gaps by making use of past experiences.

Like animals in a cage, we become witnesses of change in our adjacent realities. Boarders are dissolving, time zones disappearing. Our self-projected images are available 24/7 while our egos deform.

There was a time in history when uttering such words in a church would have been more than enough to convict a young woman of witchcraft. Indeed, many “witches” were convicted for much less.

Letzten Sommer sind wir in der Stadt festgesessen, und da fiel mir auf, wie es sich die Leute überall in den Londoner Parks bequem gemacht haben. Ihre Körper nahmen unterschiedlichste Positionen ein.

It is a play of transformation, a catwalk of vogueism, exhibitionism & voyeurism. Declared as ‚Virtual Pleasure Drama Art Game‘, the game contains intimate narratives and poems.

Mit einem geballten 3-Tages– und Abendprogramm setzt das Musik- und Kunstfestival an mehreren Locations in der Seestadt auf intime Erkundungen zwischen Musik, Performance und audiovisueller Kunst.

Im Zentrum der Schau HABITAT steht ein proportional verkleinerter und abstrahierter Schnitt ihres Arbeitsraumes aus Wien, welcher im periscope nachgebaut wird.

Das Experiment schlug ein: Schon die Eröffnung der medienfrische war ein voller Erfolg. Eine Prozession durch Bschlabs und ein Konzert der Band JESSE bildeten den feierlichen Auftakt des Festivals.

XX ART FLÂNERIE ist ein dezentrales und transdisziplinäres Kunst- und Kulturfestival in Wien, das Projekte fördert, die zeitgenössische Resonanz historischer und demografischer Zusammenhänge.

Florian Appelt und Richard Petz leiteten 3 Jahre KAH. Im Interview spricht Florian Appelt über seine Zeit bei KAH, seine aktuellen Arbeiten und worauf er in der Zukunft sich fokussieren will.

Part 1: The emptiness that becomes ritual is real. After post-modernity comes, is now – real postmodernism! The replacement of rational decisions by aesthetic ones – without a link.

We’re sitting with Oksana in her big studio. She has just been back from Spain; sun-kissed and full of energy, she is working on her new canvases – cheerful azure blue is surely inspired with the sea.

Für die fünfte Edition der wrong.biennale, der größten internationalen Biennale für digitale Kunst, freut sich das Künstler*innenkollektiv room69 einen analogen Pavillon in Wien präsentieren zu dürfen.

Linz hat ein neues Performance-Festival. Das neue Format widmet sich aktuellen Entwicklungen in der Performance Kunst und wird jährlich unter internationale Künstler*innen versammeln.

Das Streben nach Objektivität, nach Klarheit und Logik erfährt eine für den Minimalismus untypische Facette: die Individualität. Und genau diese Individualität verleiht dem Werk die Besonderheit, seine Schönheit.

The works are all handmade by me, it’s hundreds of hours of hand drilling, killer noise, dirt and water. A contemplative nightmare. You probably don’t get that feeling when looking at them when installed.

Nepochatych Yelyzaweta Andrijivna (geboren in Donbass)schloss ihr Studium an einer Kunsthochschule in Russland und setzte dann ihre Tätigkeiten und die Ausbildung in der Ukraine fort.

Unter dem Titel »Dämonentheater« zeigt das Museum Angerlehner ab 03. April 2022 eine umfassende Einzelpräsentation des Malers, Zeichners, Bildhauers und Literaten Michael Vonbank.