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While the painting series Color catcher investigates possibilities of a household color theory by (mis)using the washing (machine) paper in order to capture pigments from drink, food, spices, textile, and plants, Palette of my Homeland includes seven types of soils from her hometown Knjaževac in Eastern Serbia.

Along with natural substances, Micić also makes use of human-made industrial resources. In the monochrome series Neutralization the author hosts pigments from several kinds of silver/no yellow shampoos. On the other hand, in the analytic painting series Bojne probe (Color probes) is trying to capture an ideal mixture of a pink neon-cobalt violet nuance, and her newest painting strategy involves environmentally hostile material. Single-use plastic will be completely withdrawn from the market by the end of the year, allowing us to witness its safe disappearance. Plastik ist plastisch incorporates plastic products such are garbage bags, cotton buds, and different sorts of packaging simultaneously quoting abstract painting traditions.

Jelena Micić (1986, Serbia) graduated from the Academy of Fine Arts Vienna at the Textual sculpture class. MA in Philosophy and Graduated philologist of Scandinavian language University of Belgrade. Awarded with Würdigungspreis der Akademie der bildenden Künste Wien for Excellent Artistic Theses, Ö1 Talentestipendium Bildende Kunst and kültür gemma! Fellowship. Her works are in the Collection of the Federal Ministry for Arts, Culture, Civil Service and Sport in Austria, Kupferstichkabinett der Akademie der bildenden Künste in Vienna, The Homeland Museum in Knjaževac and private collections. Micić is interested in socio-political aspects of color (systems). Founder of the informal group UMETNIK*.

Address and contact:
Galerie3, Velden
Klagenfurter Str. 14, 9220 Velden
www.galerie3.com

The National Museum of the Romanian Peasant launches a new space for contemporary art production, in the hall located in the basement of building B, under the Horia Bernea Studio, starting with April 6.

Indem er die abstrakte Tradition fortführt, trennt Juan Pablo Villacura das Werk von seinem Diskurs, wobei er mit einer absurden humoristischen und alltäglichen Logik das Bild von seinem Titel distanziert.

In 2014, he moved to Jeju Island, where he came to be fascinated by a theme called “nature”. Apart from his past urban life, his new surroundings allowed him to create an emotionally restructured landscape. Now the nature of Jeju Island is one of his significant sources of inspiration.

„Dive into the Zeitgeist“ is the first exhibition for art in search of answers; this is the theme of the new economART project by AMY D Arte Spazio, which reopens its doors after a latency of 3 months.

Mirsini Artakianou ist auf einem kleinen Fischerdorf der Insel Lesbos aufgewachsen. Mit 19 Jahren hat sie angefangen Bildende Kunst und Kunstwissenschaften an der Universität von Ioannina zu studieren.

Die Ausstellung widmet sich anhand von Malereien, Installation und Skulptur dieser Fragestellung. „Wir alle sind es mittlerweile gewohnt in Zeiten, in denen wir von systemrelevantem Verzicht sprechen.

The title of the exhibition – When Gesture Becomes Event – refers to Judith Butler’s same-titled essay. However syntactically, it also evokes another title – When Attitudes Become Form.

Die Ausstellung von Maxine Weiss und Ömer Kaplan, ist die Weiterführung ihrer Zusammenarbeit IN LIMBO, im Kösk München. Die KünstlerInnen greifen die Instabilität der Zeit auf.

Die Show für Gesellschaft, Politik und Unbewusstes mit Schudini The Sensitive. Late Night Group Therapy kommt erstmalig das kollektive Unbewusste in einem Polit-Talk selbst zur Sprache.

Durch ihren Hintergrund in Architektur und Fotografie beschäftigt sich Elena Kristofor mit der Erforschung des Raumes, Realitätsverschiebungen und der Suche nach einem erweiterten Außen.