Magnets, stitches, wires, and belts are holding together the installation. The jewelry she made, pearl earrings standing in pairs on a print framed and hung with the leather belt, textile flag, and earring.
The artist decided to take up the abused definition of the era of the human being to peruse its end, imagining a world in which anthropogenic interferences continue their course even after us.
Julia Valtanen, was born in 1988. Graduated with a Master’s degree in graphic design (2011). She has lived in Tallinn, Estonia since 2016. Completed painting course in EKA (Estonian Academy of Arts), 2019-2020.
Das Open House gibt Einblicke in die Klassen, Ateliers und Werkstätten der Universität für angewandte Kunst Wien und ermöglicht einen direkten Austausch mit Studierenden und Lehrenden.
Tag und Nacht im Leben einer Bäckerei. Noch bevor wir die Ausstellung sehen, erzeugt dieser erzählerisch anmutende Titel eine Bandbreite von Bildern in unserem Kopf.
Inspiriert vom Roman „Moon Palace“ von Paul Auster, in der die Mondlandung 1969, der Vietnamkrieg und die Rolle des New Frontier mit der Faszination am Weltraum verwoben ist.
In der aktuellen Ausstellung im kunstraum pro arte in Hallein zeigt der Fotograf Philip Tsetinis großformatige Arbeiten aus seinem Projekt „Unknown Polyphenism“. anhand von einem Gedankenexperiment.
Bereits zum dritten Mal zeichnet die Initiative QUESTION ME & ANSWER Musiker:innen in Wien aus und vergibt mithilfe zahlreicher Sponsor:innen aus der Industrie Sachpreise.
Gert Resinger has been preoccupied with the word for a long time. Already in 2016, as part of his solo exhibition, he exhibited works under the title „RELAX“ that contravened the term.
Integrating shadows is a process in which the dark side is no longer rejected, whereas accepted, integrated and then transformed. The darkness then serves as a trigger to produce more light.
Exhibition: How to disappear. The colours used in the works range from grey, beige, white, milk paint and eastern European green. Altogether, they manage to puzzle the viewer. So does the gallery showcase.
Laid out as a vertiginous landscape, Perrone’s exhibition brings together twenty years of the artist’s multi-media output as well as five new works in the form of two work/displays.
Yannis Kanakis (b. 1982, Piraeus) lives and works in Athens. He studied Cinema at Stavrakos Film School in Athens. Since 2009, he is working as Director of Photography.
Unter dem Motto: „lick my legs!“ hat die Wiener Designerin sich erneut mit den Themen des Feminismus auseinandergesetzt. Der feministische Gedanke ist für sie immer schon Grundsatz.