Category

Kunst

Category
Giulio Scalisi, A house for a gentleman, 2021. A house for a gentleman, 2021, 16:9 video, color, sound, 15 min. Kunsthalle Lissabon, Lisbon. Photo: Bruno Lopes.
Giulio Scalisi, A house for a gentleman, 2021. A house for a gentleman, 2021, 16:9 video, color, sound, 15 min. Kunsthalle Lissabon, Lisbon. Photo: Bruno Lopes.

In this future humanity has been forced to make a switch toward a lifestyle that is predominantly spent inside the domestic space as the conditions for human life are no longer met in the outside world. Every aspect of this life is now concentrated in the four walls of the house: sleeping, exercising, eating, dating, working, with minimal physical human contact, apart from couriers or sporadic lovers.

Giulio Scalisi’s research has always been focused on the creation of parallel scenarios which try to mirror ours through different mediums and forms, such as videos, comics, installations and drawings. Often, Scalisi’s works are imagined as hyperboles, which represent situations, deliberately simplified, in order to highlight the ways in which our daily life could easily degenerate. A resigned dystopia with a good dose of introspection seems to be the sharp weapon for inner analysis, and for the production of alternative futures. The exhibition conceived for the Kunsthalle Lissabon presents two aspects of the same sci-fi reality.

Giulio Scalisi, A house for a gentleman, 2021. A house for a gentleman, 2021, 16:9, video, color, sound, 15 min. Kunsthalle Lissabon, Lisbon. Photo: Bruno Lopes.
Giulio Scalisi, A house for a gentleman, 2021. A house for a gentleman, 2021, 16:9, video, color, sound, 15 min. Kunsthalle Lissabon, Lisbon. Photo: Bruno Lopes.

Entering the first room, the atmosphere is that of a hi-tech shop where the latest products on the market are exhibited. A detailed maquette of The Obelisk, the housing prototype launched by Babel, is exhibited on a plinth. On the walls three prints are showing the buyer on one hand, the benefits of the new housing model (The Obelisk Ad, 2021; What’s the right size for you? 2021), on the other the terrible risks of outdoor life (Do yourself a favor, 2021).

In the second room a typical day of Paul Baseth, the main protagonist of this dystopia, is projected. His daily routine, made of exercise, chatting, work, dates and research does not escape the watchful eye of Home, the virtual assistant that comes with every house made by Babel.

Giulio Scalisi, A house for a gentleman, 2021. Exhibition view with Do yourself a favour, 2021; The Obelisk, 2021. Kunsthalle Lissabon, Lisbon. Photo: Bruno Lopes.
Giulio Scalisi, A house for a gentleman, 2021. Exhibition view with Do yourself a favour, 2021; The Obelisk, 2021. Kunsthalle Lissabon, Lisbon. Photo: Bruno Lopes.

However, A house for a gentleman, is not only a dystopian world, it’s also a journey through the ghosts that populate our gloomy days of solitude, those in which we really seem to have lost any contact with reality, or at least with that reality that now only lives in our idealized memories of the past.

Giulio Scalisi (Salemi, 1992) lives and works in Milan. In 2014 he completed his BA in Visual Arts at NABA, Milan and in 2016 a MA in Visual Arts at Écal, Lausanne. Among his recent shows: Good Guys (Gran Riserva), Gasconade, Roma; tAPC/the Artist’s PC, Le Botanique Centre Culturel, Brussels; Life is a Bed of Roses, Fondation Ricard, Paris; Homesick, Futuredome, Milan; Alghe Romantiche, Tile Project Space, Milan; “Fedeli alla linea”, Sonnenstübe, Lugano; “Every breath you take”, Galleria Umberto di Marino, Naples; Dripping in crocodile tears, Like a little disaster, Polignano; 1999, Kaleidoscope @ Spazio Maiocchi, Milan; A healthy dose of confusion before the bang, Federica Schiavo Gallery, Milan; Basta, Palazzo Monti, Brescia; Primary Domain, Ordet, Milan; Fotoromanza, Ville de Genève, Geneva; Videocittà, Palazzo dei Congressi, Rome; Il Pianeta, Spazio Maiocchi, Milan.

Exhibition: Giulio Scalisi – A house for a gentleman
Exhibition duration: 09.12.2021 – 26.02.2022

Address and contact:
Kunsthalle Lissabon
R. José Sobral Cid 9E, 1900-312 Lisboa
www.kunsthalle-lissabon.org

A relentless noise that prevents other sounds from invading our auditory perception; a noise made of the entire spectrum of sound frequencies, in a harmonic way, without any of them being distinguishable.

In her works, Darja Shatalova examines the structures of her environment and personal life on the macro level. She presents for the first time her entire archive of recordings in an accesible, space-based installation.

Galleria Umberto Di Marino is delighted to present the latest personal exhibition of Eugenio Tibaldi, with the title Balera. The new project traces a line of continuity with the exhibition Più in là che Abruzzi.

The year 2021 in short from LNR’s point of view: In addition to discoveries of artists, online publications, columns and contributions, this year has again involved corporeal productions.

Projections is a series of screenings exploring the unexpected unfolding of minimal and fragmented narratives. The selected works use a plain yet evocative language and merge generations.

Eigentlich ist hier nichts erfunden. Wohl wurde es nicht von jeder der beteiligten Personen genauso wahrgenommen, aber das ändert wohl nichts an der Tatsache, dass es von jemandem so erlebt wurde.

Und wann hören die entsprechenden Erinnerungen auf zu existieren? Gibt es überhaupt Erinnerungen, ohne jemanden, mit dem wir sie teilen können, ohne den Ort, zu dem sie gehören?

Sara Lanner entwickelt ihre Erkundungen zu Identität und Körper, den sie als soziale Choreografie und Skulptur begreift, mit performativen und choreografischen Ansätzen.

What took several months to accomplish for Jules Verne’s ‘adventurers’ in “Le Tour du monde en quatre-vingts jours”, we can do in 80 minutes. See how in “Around the World in 80 Minutes”.

Jordan Sullivan was born in Houston, Texas. He was raised in rural Ohio and suburban Detroit. Before becoming a full-time artist, he was fired from a number of odd jobs in Texas, New York City, and Los Angeles.

Neda Nikolic visual artist based in Austria deals mostly with a topic of ludic space, both virtual and analog. She completed two Art Studies, one in Serbia, Belgrade, and second in Austria, Vienna.

Die Ausstellung von Christian Egger integriert ua. eine großteils neue Serie von Skulpturen in das, auf die Galerieräume zugeschnittene Ausstellungsgeschehen, welche ihre Materialität freilegen.

Sophia Süßmilch, geboren 1983, ist eine sehr spannend und impulsive Persönlichkeit in der Kunstszene. In ihren Performances und Arbeiten werden Ideale von Schönheit, Körper und Geschlechterrollen behandelt.

Vivian Grevens Malerei basiert auf einem versierten Spiel mit unterschiedlichen Auffassungen von Körper, Sein und Repräsentation. Dabei verschmelzen Konzepte der Antike, Pop-Art und dem Digitalen.

This week you could come on a journey to Como – if you aspire. I decided to visit Ritual Acts at Galleria Ramo, an exhibition that combines works and thoughts by Matteo Messori and Dave Swensen.

My current studio is located near Belluno, in the north-east of Italy and it’s the place that I have chosen to live and work. It’s really different! It is a space with a measure, a proportion, and an acoustic quality.

By inviting the artist Stefano Cagol, the Galleria d’Arte Moderna di Verona is taking part in the 17th Giornata del Contemporaneo with the realization of a long-lasting exhibition project.

Max Freunds Kosmos ist der Inbegriff des Multivalenten. Ob in Material, Technik, Konzept oder kunsttheoretischem Überbau – Freund schreitet in jedem dieser Aspekte das Maximalspektrum aus.

Loser Angeles is a California born artist. His paintings dig into the mundane aspects of the human condition. Encouraged by death, he employs ordinary subjects to illuminate our unreckoned existence.