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Elke Foltz Studio
Elke Foltz Studio

In her painting, she also questions what connects us through colourful and precise forms organized as a universe. Her paintings are composed in a way that each single element can’t work without the others. Her work is also about her own growth and to learn how to embrace mistakes. The incorporation of collage of previous experimentations bring into Elke’s creative process a deeper purpose focused on composition and reflection.

What does art mean to you?
Art is everything to me. Creating is surely a very personal commitment but I think art in all its forms is really fascinating because it can resonate with people and give other perspectives on life. Most artists create their own vocabulary and share their own vision of the world. Art is also a witness to our societies and it is beautiful to see how art can question, bring joy, provoke reactions and also heal.

Artist. Elke Foltz

Do you have a favorite tool?
I’ve actually have the same brushes for a few years, they’re getting old but they still have bristles, haha. Otherwise I have a favorite medium, I like to paint with ink and pigments, it allows me to recreate almost any color and texture I like and am interested in.

Who are your biggest artistic influences?
I have many artistic influences, I would say first of all in illustration because I started my artistic career with drawing, Marjane Satrapi and Brecht Evens are by far my favourite illustrators. In painting, Helen Frankenthaler, Ndoye Douts and the work of Julie Mehretu. I also discovered not so long ago the powerful abstract work of the painter Mary Lovelace O’Neal.

What motivates you to create?
I create because it is through art that I can express myself in the most authentic and honest way. In a way, my work is really related to nature and our relationship with others. I know that my art can talk to people but they can not always explain why. And I like it, it’s to accept letting go of things we can’t control. I’m an artist with Senegalese and German roots who grew up in France. I am from a generation that still has to build a more diverse and inclusive art scene, although of course many artists have already opened multiple doors before my generation of artists.

What’s your inspiration?
At the moment I’m really inspired by what connects us, life paths, and the place of mistakes. My paintings are safe places, they question but also bring a good energy and that’s really important to me.

Artist. Elke Foltz
Artist. Elke Foltz

What are you working on right now?
I’ll start a new series of canvases that will be focused on human relationships, moments of tenderness and the complexity of them. It will be mainly colour block work, it’s a new challenge because normally I love to work with a large panel of colours.

Elke Foltz – www.elkefoltz.com, www.instagram.com/elkeandfoltz/

It was William Burroughs who, in the early 1960s, in his eponymously named cut-up novel, described the human body as a ‘soft machine’, constantly besieged ‘by a vast, hungry host of parasites’.

Die Landjäger Kürzestfilm Festspiele, das Festival für 12 Sekunden kurze Filme, haben sich für ihre Verhältnisse eine bizarr lange Auszeit genommen – wegen Geldes, Cannes, Corona, you name it.

Olga graduated on the Academy of Fine Arts in Bratislava and has also studied at the Vienna Academy of Fine Arts. She has realized dozens of solo and group exhibitions in Austria and in other European countries.

Nach einem abgeschlossenen Studium der Betriebswirtschaft an der sowie einem Studium an der Kunstschule Wien mit dem Schwerpunkt Druckgrafik und Keramik lebt und arbeitet die Künstlerin in Wien.

Florian Donnerstag aus Oberösterreich hat bis 2015 in Innsbruck Architektur studiert. Interdisziplinär zu seinem abgeschlossenen Architekturstudium befasste er sich mit bildender Kunst und Kunstgeschichte.

Jan Böhmer (1990) ist ein österreichischer Künstler aus der Weststeiermark. Seine Arbeiten sind dynamisch, neu und nonkonformistisch. Als Atelier dienen Räumlichkeiten eines ehemaligen Bestattungsinstituts.

In ihrem Spiel mit der Wirklichkeit nähert sich MUTA NATUR der Polarität von Natur und Kultur, ohne eine Antwort zu erzwingen. Weder wird behauptet, dass eine unberührte Natur unmöglich zu beweisen.

Due to the fusion of digital life with the physical they have become part of our lived reality. The inability of consciousness to distinguish reality from a simulation of reality is addressed through artistic positions.

Statement: Toni Faber, Dompfarrer St. Stephan. Nicht nur im Stephansdom, sondern auch rund um das Wiener Wahrzeichen lässt sich neben religiösen/sakralen Bildern auch zeitgenössische Kunst finden.

Feels so warm that you can walk around with your transition jacket. We are invited by the artist Nives Widauer to her studio, and I arrive there with Cornelius, who backs me up in documenting this conversation.

Her work concentrates on technology and the emotional and social culture surrounding it. Nicole creates stills, animations, and interactive AR and VR experiences and has exhibited her work since 2017.

Kim Dorland pushes the boundaries of painted representation through an exploration of memory, material, nostalgia, identity and place. Drawing heavily from the Canadian landscape.

Sich die Hände zu reichen, zeugt vom Entstehen eines Miteinanders, das sich nicht im Satz »ich bin bei dir« auflöst, stattdessen ein Mehr suggeriert. Dieser Akt ruft ein solidarisches Wir hervor (raise).

In Impuzzibil, there are these bodies struggling and folding and stretching in stacked boxes. They didn’t disappear but they’re not fully there either. And there is no magician present to help out.

From one art fair to the next, from Vienna to Milan. Therefore, the impressions of the second edition of SPARK reach the reader a little late. I deliberately visited the site of the art fair three times.

Faye Wei Wei’s paintings feel like they are wearing lingerie, draped in a body of delicate sensuous marks. The colors, often posed against a white background of exposed untouched canvas, are transparent and fleeting.

A dominating motive theme in her work is using the unexpected to create tension. Playing with the viewers expectations, she broaches the issue of moments paired with distorted items of her imagination.

Mela Diamant zeigt in ihren Arbeiten märchenhaft und modern schwere Geschichte und luftigen Tod, Jahrtausende entfernt und doch ganz nah und heute. Man sieht Frohsinn und Leichtigkeit.

A Coloured Story, a solo exhibition, by painter Idowu Oluwaseun explores Black intimacy across a spectrum of skin colours. In our ongoing racialized modernity, the taboo or the stigmata of being in possession of more or less melanin shows up in the pervasiveness of colorism—an inheritance of the violence of slavery and colonialism—that continues to organize intraracial sociality today.

The classic 90s anime franchise Evangelion proposes a theory where humanity can overcome its bodily boundaries and unite their souls as one, brought onwards by mankind, a forced step in evolution.

Ein Zauberwort * aus dem Lateinischen, auf Deutsch „ich werde verwandelt werden“, das paradoxerweise nichts in etwas verwandelt, sondern nur auf die Zeitlichkeit des Vorganges an sich verweist.

Julian Heuser arbeitet in Frankfurt am Main, schloss 2009 ein Architekturstudium ab und arbeitete danach als Assistenz bei Tobias Rehberger. Später studierte er in Offenbach und Salzburg.